Smart and fitfully chilling, but puerile St. Ebury school sometimes seems less like a setting than a wallow.
Part mystery, part exploration of adolescent psychology, McAdam’s second novel (Some Great Thing, 2004) revolves around the disappearance of a teenaged girl from an elite Canadian boarding school.
Handsome, easygoing, effortlessly self-assured Julius is the charmed son of an American diplomat. His romance with the beautiful Fallon (Fall for short) provokes the envy of classmates, especially awkward, cerebral Noel, his senior-year roommate. Thrown together by circumstance, the boys develop an ad hoc friendship, and Noel becomes a confidant for the besotted Julius. When Julius, confined after a prank, enlists his roommate as a romantic go-between, Noel’s fascination with the golden couple metastasizes into obsession. Then, just before winter vacation, Fall goes missing. It takes a while for her disappearance to make ripples beyond the cloistered world of the St. Ebury School, but eventually the police are summoned and suspicion falls on the roommates. In the novel’s second half we see both boys’ self-mythologies implode. The story is told mainly in their voices: Noel’s chilly, careful narrative contrasts with his roommate’s bubbly, almost aggressively superficial stream of consciousness. Noel’s sections have flashes of William Trevor–like darkness and insight, and the plot does eventually build momentum, but the police investigation of Fall’s disappearance is oddly halfhearted and low-key, a circumstance that serves the plot more than the mandates of law enforcement.
Smart and fitfully chilling, but puerile St. Ebury school sometimes seems less like a setting than a wallow.Pub Date: March 1, 2009
ISBN: 978-1-59643-220-8
Page Count: 48
Publisher: Roaring Brook Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A beautiful, powerful reflection on a tragic history.
In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima.
When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.
A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)Pub Date: April 7, 2020
ISBN: 978-0-358-12940-0
Page Count: 80
Publisher: HMH Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
PROFILES
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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