Manhattan's Diamond District—West 47th Street and environs- -provides the exotically corrupt milieu for another slick entertainment from the prolific Browne (18mm. Blues, 1993, etc.) A successful freelance who grew up in the retail jewelry business, Mitch Laughton specializes in the recovery of lost, strayed, or stolen gems. In the wake of a spectacular heist that cost an Iranian couple considerable blood and treasure, he's called in—by the insurance company left holding the policy bag—to locate millions of dollars' worth of precious stones that have gone missing. Once on the case, rough-hewn Mitch (who's married to Maddie, a terminally winsome, relentlessly meddlesome, filthy-rich blind woman with impeccable social connections) taps all of his many sources in the Midtown enclave—including the raffish likes of organized-crime bosses, venal cops, predatory robbers (known as ``swifts'' in the hot-rocks trade), acquisitive fences, and even a few semihonest merchants. With a little bit of luck, a full measure of street smarts, and timely if offbeat assistance from Maddie, Mitch (who worries some about being a kept man) eventually retrieves what he has been told is the loot. As it happens, the swag is said to have included some unreported items—a matched pair of large emeralds with religious as well as intrinsic value, for which the sinister agent of Tehran's vengeful theocracy is willing to pay $25 million. This intelligence sets Mitch off on a second investigation, but he's joined by a host of murderous fortune hunters also eager to collect the parlous Persian's reward. While clever Maddie (whose unsighted state may not have been caused by physical problems) eventually solves the green-ice mystery, the plot takes a couple of unexpected turns before reaching its plausibly happy end. Browne's flair for depicting professional theft, commercial ethics, high finance, low comedy, and the wages of the deadlier sins makes for an elegant, sexy lark of a novel.
Pub Date: June 7, 1996
ISBN: 0-446-51662-7
Page Count: 384
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1996
BOOK REVIEW
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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