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BEST AFRICAN AMERICAN FICTION 2010

A rich compilation, opening up territory for further exploration.

Running the gamut from accessible crime fiction to experimental efforts by critics’ darlings, this ambitious anthology offers a snapshot of modern black culture without being tied to a single theme.

Guest editor Giovanni mixes predictable big names with relative unknowns in the second installment of a new annual series. Edwidge Danticat’s “Ghosts,” set in a Haitian slum, features an aspiring young journalist who learns the hard way just how relative notions of good and evil are in his world. Less exotic but just as sharply observed is Colson Whitehead’s “The Gangsters,” which depicts middle-class youths coming of age in the Hamptons during the summer of 1985. An excerpt from Jewell Parker Rhodes’ novel Yellow Moon takes on voodoo, murder and vampires in modern New Orleans, while Glenville Lovell’s “Out of Body” is told from the point of view of an urban crime lord. Slavery and its bitter legacy are the subjects of several pieces, most arrestingly the opening story, “The Ariran’s Last Life,” in which a young African captive awakens to her mystical power. Kim Sykes provides a welcome shot of levity with “Arrivaderci, Aldo,” narrated by a bored female security guard working at a TV/movie studio. The surprising final selection, “Mary Jane,” shows a young black girl, one of the first to integrate a Southern high school, persevering over shocking prejudice. Serving as a reminder of how far American society has come—in some regards—the piece surprises partly because it’s excerpted from a 1959 young adult novel and partly because the late Dorothy Sterling, who wrote extensively about African-American subjects, happened to be white.

A rich compilation, opening up territory for further exploration.

Pub Date: Dec. 29, 2009

ISBN: 978-0-553-80690-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2009

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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