Free-spirited adventuress? Promiscuous party girl? Proto-feminist? Who was the real Lu Anne Henderson, immortalized as “Marylou” in Jack Kerouac’s On the Road?
Nicosia (Lunatics, Lovers, Poets, Vets and Bargirls, 2006, etc.) and Santos address many of the labels thrown at Henderson and her reputation in this composite text comprised of scholarly analysis, an extensive interview with Henderson conducted in 1978 and personal memoirs about her. Henderson, the 15-year-old beauty who married Neal Cassady, accompanied Kerouac, Cassady and others on the cross-country adventures later fictionalized in On the Road. Nicosia makes a compelling case for Henderson’s unique perspective on and understanding of Kerouac and Cassady, poster boys for the Beat generation. Henderson was there from the onset of their friendship, when she and a passionate, frenzied Cassady arrived in New York City in a stolen car, carrying suitcases of books but no cash. The two quickly fell in with a group of young students and budding writers, including Kerouac, Allen Ginsberg and John Clellon Holmes. Cassady, desperately trying to become a writer and overcome his lack of education, was enthralled, inspired and sometimes jealous of these new peers. The balancing act of admiration and misunderstanding was most pronounced between Kerouac and Cassady, especially in later years. Yet their friendship ran deep and had profound effects on both of their lives, as Henderson directly observed in her role as friend and lover: “I really believe there was something of an umbilical cord between the two of them, because their lives were so entwined, and they really both ran the same gamut, and wound up at the same place.” Henderson’s extensive interview provides a unique perspective on the development of the seminal Kerouac-Cassady friendship, as well as anecdotes about and corrections to the account rendered in On the Road. The oft-maligned Henderson, characterized as an oversexed nitwit in many film and memoir accounts of the period, speaks with intelligence, insight and tenderness about her experiences and her genuine affection for both men. A real find for Beat aficionados, adding verve to a cherished moment in American history and the novel that came to define it.
Pub Date: Nov. 1, 2011
ISBN: 978-1-936740-04-8
Page Count: 240
Publisher: Viva Editions
Review Posted Online: Aug. 15, 2011
Kirkus Reviews Issue: Sept. 1, 2011
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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