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MAN SHARK

An engrossing, realistic, and deeply detailed story set in Micronesia’s legendary past.

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A long-traveling stranger seeks the hand of a chief’s daughter in this debut novelization of an ancient legend from the Marshall Islands.

Ḷainjin—nicknamed Ḷōpako, or “Man Shark,” due to his constant movement—has long searched the scattered islands for his mother, the famous Tarmālu. She once led a large fleet from atoll to atoll, but since leaving her infant son long ago, no one has been certain of her whereabouts. While Ḷainjin and his bird companion, the Chief, are returning unsuccessful to Wōtto Atoll, where their hunt began, they meet a fishing party from nearby Lae Atoll. The group includes an alluring young woman: Liṃanṃan, the daughter of the chief of Lae, who quickly promises herself to Ḷainjin. The voyager manages to prove himself on Lae—saving the chief’s boat from destruction in a storm and dealing with the aggression of the local men—but there will still be challenges to face in order to be Liṃanṃan’s chosen one. “The most difficult will be resisting” Liṃanṃan’s cousin Likkōkālọk, his girlfriend’s grandmother informs Ḷainjin. “She will do everything in her power to get onto your sleeping mat. She is very cunning, and she will not respect Liṃanṃan’s choice or yours. If you’re not careful, she’ll pluck you out of the water like a fish and swallow you.” After all his searching, Ḷainjin may have finally found a home, but only if he can survive the dangers of the local politics. Knight’s steady prose succeeds not only in re-creating the details and customs of his prehistoric Micronesian setting, but its language and worldview as well: "In Rālik and Ratak culture both, you could sit yourself down by a man’s fire, enter his shelter, grab onto his fishing line or his kilt, or even throw pandanus fruit at his bird, but you could never touch his boat without permission." The pacing is slow and the plot meanders, but readers will be so thoroughly immersed in this remote world that they won’t mind. Fans of prehistoric fiction will enjoy this thoroughly researched and often charming tale.

An engrossing, realistic, and deeply detailed story set in Micronesia’s legendary past.

Pub Date: Nov. 15, 2019

ISBN: 978-1-77180-228-4

Page Count: 298

Publisher: Iguana Books

Review Posted Online: Oct. 16, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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