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SONG WITHOUT WORDS

DISCOVERING MY DEAFNESS HALFWAY THROUGH LIFE

Shea's narrative derives its true power from the eloquence and intelligence with which he illuminates a world that may be...

The moving, poignant account of how a brilliant lawyer came to terms with the midlife discovery of his own partial deafness.

Attorney Shea heard sounds through an "invisible curtain" that gradually descended upon him after a boyhood bout with scarlet fever. Because he was so young when he began to lose his hearing, the author grew up believing that the world was not only quieter than it was, but that "spoken words were a riddle...everyone had to figure out." People communicated through a colorful, strangely beautiful "language of lyricals," which Shea uses throughout the text, to which he had to give meaning. Over time, he found that he could understand what others said to him by reading both lips and contexts. Shea excelled in school and attended Yale and then Columbia Law School. But academic success came only by dint of great effort and caused the breakup of a relationship that would haunt him into middle age. It wasn't until Shea was 34 and moving into a new job that he was finally diagnosed as profoundly deaf. Despite hearing aids and other sound-amplifying devices, however, Shea continued to struggle in his professional life. A meeting with a hearing-impaired former brain surgeon, who advised him to have the courage to "break [his] own heart," finally convinced Shea that, for the good of himself and his family, he needed to put aside his profession and learn to embrace the partial soundlessness that defined his reality. The book is a powerful expression of loss, acceptance and the very human need to communicate.

Shea's narrative derives its true power from the eloquence and intelligence with which he illuminates a world that may be unfamiliar to many readers.

Pub Date: Feb. 26, 2013

ISBN: 978-0-306-82193-6

Page Count: 240

Publisher: Da Capo

Review Posted Online: Dec. 22, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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