Shea's narrative derives its true power from the eloquence and intelligence with which he illuminates a world that may be...

SONG WITHOUT WORDS

DISCOVERING MY DEAFNESS HALFWAY THROUGH LIFE

The moving, poignant account of how a brilliant lawyer came to terms with the midlife discovery of his own partial deafness.

Attorney Shea heard sounds through an "invisible curtain" that gradually descended upon him after a boyhood bout with scarlet fever. Because he was so young when he began to lose his hearing, the author grew up believing that the world was not only quieter than it was, but that "spoken words were a riddle...everyone had to figure out." People communicated through a colorful, strangely beautiful "language of lyricals," which Shea uses throughout the text, to which he had to give meaning. Over time, he found that he could understand what others said to him by reading both lips and contexts. Shea excelled in school and attended Yale and then Columbia Law School. But academic success came only by dint of great effort and caused the breakup of a relationship that would haunt him into middle age. It wasn't until Shea was 34 and moving into a new job that he was finally diagnosed as profoundly deaf. Despite hearing aids and other sound-amplifying devices, however, Shea continued to struggle in his professional life. A meeting with a hearing-impaired former brain surgeon, who advised him to have the courage to "break [his] own heart," finally convinced Shea that, for the good of himself and his family, he needed to put aside his profession and learn to embrace the partial soundlessness that defined his reality. The book is a powerful expression of loss, acceptance and the very human need to communicate.

Shea's narrative derives its true power from the eloquence and intelligence with which he illuminates a world that may be unfamiliar to many readers.

Pub Date: Feb. 26, 2013

ISBN: 978-0-306-82193-6

Page Count: 240

Publisher: Da Capo

Review Posted Online: Dec. 23, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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