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PEOPLE OF THE BOOK

Rich suspense based on a true-life literary puzzle, from the Pulitzer Prize–winning Brooks (March, 2005, etc.).

From 1480 Seville to 1996 Sarajevo, a priceless scripture is chased by fanatics political and religious. Its recovery makes for an enthralling historical mystery.

In Sydney, ace (and gorgeous) old-book conservator Hannah Heath gets a 2 a.m. phone call. She’s summoned to Sarajevo to check out a 15th-century Spanish-made Haggadah, a codex gone missing in Bosnia during a 1992 siege. The document is a curiosity, its lavish illuminations appearing to violate age-old religious injunctions against any kind of illustration. Remarkably, it’s Muslim museum librarian Ozren Karaman who rescued the Hebrew artifact from furious shelling. Questioning (and bedding) Ozren, Hannah examines the Haggadah binding and from clues embedded there—an insect’s wings, wine stains, white hair—reconstructs the book’s biography. And it’s an epic. Chapter by chapter, each almost an independent story, the chronicle unwinds—of the book’s changing hands from those of anti-Nazi partisans dreaming of departing for Palestine from war-torn Croatia, from schemers in 1894 Vienna, home, despite Freud and Mahler, of virulent anti-Semitism. Perhaps the best chapter takes place in 1609 Venice. There, not-so-grand Inquisitor Domenico Vistorini, a heretic hunter with a drinking problem, contends in theological disputation with brilliant rabbinical star Judah Aryeh. The two strike up an unlikely alliance to save the book, even while Vistorini at first blanches at its art—a beautiful depiction of the glowing sun, prophesying, the hysterical priest assumes, Galileo’s heliocentric blasphemy. Tracing those illustrations back to their origin point, Hannah unkinks a series of fascinating conundrums—and learns, even more fiercely, to prize the printed page.

Rich suspense based on a true-life literary puzzle, from the Pulitzer Prize–winning Brooks (March, 2005, etc.).

Pub Date: Jan. 1, 2008

ISBN: 978-0-670-01821-5

Page Count: 372

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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HOUSE OF LEAVES

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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OF MICE AND MEN

Steinbeck is a genius and an original.

Steinbeck refuses to allow himself to be pigeonholed.

This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define.  Steinbeck is a genius and an original.

Pub Date: Feb. 26, 1936

ISBN: 0140177396

Page Count: 83

Publisher: Covici, Friede

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Feb. 1, 1936

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