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MEMORY'S LAST BREATH

FIELD NOTES ON MY DEMENTIA

A courageous, richly textured, and unsparing memoir.

A former gender studies professor’s memoir about living and remembering her life in the face of dementia.

Before 2010, when doctors told her that she had microvascular disease, one of the leading causes of dementia, Saunders had it all: a successful career and a thriving, multigenerational family. She retired from the University of Utah two years later with “no whimpering, no whining, no despair,” fully aware that hers had been a fortunate existence. Hoping to offer something that “could be actually useful in the world,” Saunders began keeping a journal about her “lurch into that ‘strange Country’ ” of memory loss. She started by recalling everything she could about an early life that had begun in the rural Transvaal region of South Africa. By “flesh[ing] out [her] shrinking self with former selves,” the author would become “Doña Quijote,” the madwoman questing for truth. Drawing on literature, scientific research, her family’s collective memory, and her own experiences, Saunders crafts an eloquent, often lyrical book that, in its fragmentation, becomes increasingly affecting over the course of the narrative. As she speaks about growing older and wearing clothes that express “the way I feel rather than look,” for example, she intersperses her reflections with “Dementia Field Notes” journal entries that bluntly address all the difficulties she must face on a daily basis due to her condition. The author’s candor is especially evident in the way she addresses the way her dementia has and will continue to dehumanize her the longer she lives with it. Not wishing to be relegated into a zombielike “neither-dead-nor-alive” status, Saunders discusses the plans she and her family have made to help her die with dignity when her quality of life has dwindled too far. The book is remarkable not only for its fiercely honest, sometimes-poetic portrayal of mental decline, but also for the way the author effectively celebrates “the magisterial of a mind, the grant of an interval to sound the ordinances of a world without being.”

A courageous, richly textured, and unsparing memoir.

Pub Date: June 13, 2017

ISBN: 978-0-316-50262-7

Page Count: 256

Publisher: Hachette

Review Posted Online: March 27, 2017

Kirkus Reviews Issue: April 15, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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