by Gertrude Stein & Thornton Wilder ‧ RELEASE DATE: Jan. 1, 1997
By giving both sides of an ongoing written conversation, this useful collection offers an unusual portrait of a long and important literary friendship. From Stein's thank-you note written in late 1934, the month after Stein and Wilder first met in Chicago, to Wilder's 1946 note of condolence to Alice Toklas following Stein's death, the letters record a warm friendship marked by a sharing of ideas, friends, and (perhaps not least significantly) a belief in Stein's genius. Wilder is the chattier of the two, whether reporting from Vienna that he has visited Freud, who informs him that the Earl of Oxford wrote Shakespeare's works, or from New York, noting that Mabel Luhan's effort to hold a weekly salon has failed. Wilder is forthright in discussing Stein's influence on his work, and in a 1937 letter says that the third act of Our Town "is based on your ideas, as on great pillars." That Stein in turn appreciates Wilder's talent is apparent in her attempt to persuade him to collaborate on her novel Ida: "a really truly novel is too much for me all alone we must do it together." Throughout, the letters are enhanced by thorough annotations that help make them accessible to a wide audience by supplying details on contemporary events and people, explaining allusions, offering speculations, and even editorializing when, the editors say, "texts appear to ask for it." Likewise, the addition of useful supplementary appendices (on Stein's 1934-35 U.S. lecture tour; and on what occupied Wilder and Stein during WW II, when they exchanged few letters) help round out the scene surrounding the correspondence. Perhaps the most convincing marker of the success of this collection is that, in addition to conveying so much about these correspondents, it prompts one to regret anew the decline of letter writing.
Pub Date: Jan. 1, 1997
ISBN: 0-300-06774-7
Page Count: 384
Publisher: Yale Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1996
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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