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I, the Contraption: Searching for Heaven

A fast-paced, engaging look at the natures of faith and science.

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A sci-fi parable in which an artificial man searches for answers to some of life’s deepest mysteries.

Pinocchio, the protagonist of Bosze’s fiction debut, views himself as a kind of thinking automaton, a “contraption” with an “amazing onboard computer”—his brain, which comes to conceive of his own existence and then to ask a series of elemental questions about that existence. What’s the point of life? Why are living things here? What’s the nature of reality? What are the limits of identity? Bosze takes his naïve, questing character through a series of encounters with various figures who expound on one aspect of life or another. When, for example, Pinocchio meets Artificial Man, who calmly says he was intelligently assembled, Pinocchio tells him that, in his own case, current scientific ideas stipulate that the opposite is true: “[W]e were just a freaky combination of chemicals in a pool of water that got zapped by lightning,” Pinocchio says, “and voila, four billion years later, here we are, complex biological machines.” (Artificial Man doesn’t seem convinced, and readers clearly aren’t meant to be, either.) A character from the future, named simply 4000 AD, reminds Pinocchio that “it is a common mistake to assume that comprehending some of the ‘magic’ is akin to erasing its mystery. But we found that the more our knowledge grew, the deeper grew the mystery.” Pinocchio moves from one such conversation to another through the effects of something called a Life Simulator, and that all-encompassing reality-replicator brings Pinocchio to many such alternate realities, including a New Earth, where he’s toured around a radically altered world. Bosze skillfully uses all these encounters to frame a number of metaphysical conversations and arrive at some metaphysical answers. “Let’s face it,” he writes, “there is no room for false modesty here—we humans (as far as we know) are the conscious universe. As pathetic as we are, there is no one with anywhere near the ability to challenge our ‘lofty position.’ ” The age-old religious and philosophical questions Bosze rehearses in this way are endlessly fascinating, and his fictional gambit makes his approach palatable to readers at most points on the faith spectrum.

A fast-paced, engaging look at the natures of faith and science.

Pub Date: Aug. 6, 2014

ISBN: 978-1500572723

Page Count: 168

Publisher: CreateSpace

Review Posted Online: Oct. 9, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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