An exciting, comprehensive chronicle of one of the most pivotal events in mob history.

MAFIA SUMMIT

J. EDGAR HOOVER, THE KENNEDY BROTHERS, AND THE MEETING THAT UNMASKED THE MOB

How honest New York State Trooper Ed Croswell crashed a special meeting of gangster elites in 1957 and exposed organized crime to a dozing American public.

Screenwriter and playwright Reavill (Aftermath, Inc.: Cleaning Up After CSI Goes Home, 2007, etc.) vividly recreates that miasmic era of ignorance and innocence with all the blunt-end aplomb befitting coldblooded killers and crooked lawmen. In the fall of 1957, a cadre of "fourteen-karat hoodlums" decided to meet and talk business at the rustic estate in Apalachin, N.Y. It was a mistake that would forever cost the mob its coveted mask of anonymity. Much has been written about how the authorities managed to find out about the secret Apalachin gathering, but Reavill argues that none of the complex conspiracy theories involving insider betrayals and double crosses are true. Instead, the author constructs a compelling case that the landmark bust was all due to a little luck and one man simply doing his job. Lively, detailed reporting sets intriguing characters on both sides of the law on an inexorable crash course for the sleepy woodlands of upstate New York. Some of the intimate portraits stretch back before World War II and from as far away as Sicily, but the colorful writing makes the events as accessible and immediate as if they were unfolding today. In addition to requisite stories of bloody mob hits and ruthless grabs at power, there are shocking reversals of fortune, incredible examples of collusion between the mob and the U.S. government, and an eye-opening look at how the Mafia built its highly durable and lucrative narcotics trade. While none of that came to a screeching halt on that fateful day in Apalachin, Croswell’s dogged determination forced law enforcement agents to confront the mob like never before.

An exciting, comprehensive chronicle of one of the most pivotal events in mob history.

Pub Date: Jan. 22, 2013

ISBN: 978-0-312-65775-8

Page Count: 304

Publisher: Dunne/St. Martin's

Review Posted Online: Nov. 4, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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WHEN BREATH BECOMES AIR

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 30, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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