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IMMORTAL

From the Immortal series , Vol. 1

Evie, a motherless and lonely scholarship student at the very posh Wyldcliffe Abbey School for Young Ladies somewhere on unspecified moors of England, pursues a furtive and resolutely chaste late-night romance with Sebastian, whose good looks, dark moods, manipulative behavior and anachronistic speech will remind readers of Twilight’s Edward Cullen. The narrative alternates between the present and the Victorian diary of Lady Agnes Templeton, who is linked to both Sebastian and Evie. The diary reveals their connections to Agnes (to whom Evie bears a striking resemblance and whom she sees in visions), but only hints at the worst of Sebastian’s secret. Naturally, good must battle evil, while Evie must confront her demons and emerge damaged but victorious. Two-dimensional characters, overheated dialogue and a mishmash of predictable plotting cribbed from Harry Potter, Lord of the Rings, Circle of Magic, Buffy the Vampire Slayer and Twilight yield a profoundly derivative reading experience. The door is left open for a sequel, but with so much worthwhile source material to read instead, readers will ask, why? (Fantasy. 12 & up)

Pub Date: May 1, 2009

ISBN: 978-0-06-137580-4

Page Count: 368

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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EVERY EXQUISITE THING

An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty.

In this retelling of a classic, a drama student’s obsession with beauty leads her down a dark—and possibly deadly—path.

Eighteen-year-old Penny Paxton is beginning her first year at Dorian Drama Academy in Edinburgh, Scotland, where she hopes to follow in her starlet mother’s footsteps—and earn the love that her mother has never seemed to offer. At Dorian, Penny is mentored by Royal Shakespeare Company legend Orlagh Camran, who makes her the compelling offer of a portrait by the Masked Painter, a mysterious artist with the ability to gift his subjects everlasting youth and beauty. But shortly after Penny’s portrait is complete, several of the Masked Painter’s subjects are found murdered. Fearing that she’s made a terrible mistake and may become the next victim, Penny, who’s gay, begins to investigate the murders with the help of an unlikely ally. As she attempts to uncover the truth surrounding the Masked Painter and the murders, she’s forced to reckon with her own toxic obsession with beauty. This chilling, atmospheric novel, inspired by The Picture of Dorian Gray, is entertaining and full of twists, though some of the reveals feel contrived and some questions are left unanswered. The plot unravels at a leisurely pace but eventually builds to an action-packed (if somewhat convoluted) conclusion. Most characters are cued white.

An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty. (content note, author’s note, bonus scene) (Fantasy thriller. 14-18)

Pub Date: May 26, 2026

ISBN: 9781250346797

Page Count: 384

Publisher: Wednesday Books

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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THE GIVER

From the Giver Quartet series , Vol. 1

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...

In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.

As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)

Pub Date: April 1, 1993

ISBN: 978-0-395-64566-6

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

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