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EVERY SECRET THING

MY FAMILY, MY COUNTRY

Weaving the personal and political tightly together, novelist Slovo creates an incisive and unflinching portrait of her prominent South African family. At the height of apartheid, perhaps no two white South Africans were more hated and more admired than Slovo's parents, Ruth First and Joe Slovo. As prominent members of the ANC and the South African Communist Party (which Joe would eventually head), they had gone where few white South Africans dared. Not content with the subdued grumbling and subversive tea parties that usually passed for anti-apartheid activism in their privileged circle, they became increasingly radicalized and escaped into exile. While Ruth fought for the cause largely through journalism and academic research, Joe lived a life of secrecy and subterfuge, planning how to hit back at the apartheid regime through sabotage and terror. Though the South African government wanted both of them dead, Ruth was the easier target. In 1982, a mail bomb killed her in Mozambique. Joe lived to help negotiate—peacefully—South Africa's future. But soon after Mandela appointed him minister of housing, he was stricken with cancer and quickly died. As Slovo investigates the wilderness of mirrors that constituted her parents' political lives, she also tries to discover who they really were as individuals behind the secrets and the lies. She has covered some of this ground before in fiction (Ties of Blood, 1990), but what she discovered and recounts here has a strangeness and piquancy quite beyond her fictive powers. Not only does she track down and confront one of the men responsible for her mother's death—a cool and clever equivocator, largely unrepentant—she also movingly details the pain and the pride she felt growing up in such strange, terrible times. A memorable and emotionally compelling achievement.

Pub Date: May 12, 1997

ISBN: 0-316-79923-8

Page Count: 288

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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