Nahai’s boisterous, sardonic, sometimes-lurid portrait of a community and the devil in its midst offers unusual, engrossing...

THE LUMINOUS HEART OF JONAH S.

An energetically inventive epic, wrapped in a murder mystery, paints a broad picture of rapaciousness and revenge within the Iranian Jewish community of Los Angeles.

Confidently shepherding multiple characters over many decades and across two continents, Nahai (Sunday’s Silence, 2001, etc.) delivers a long, dark, broad–brush stroke saga that doubles as a primer to the 3,000-year-old history of the Jewish people of Iran. In her opening sentence she introduces the monster at the center of events, Raphael’s Son, found with his throat slashed in 2013. This beast of cruelty and deceit has many enemies, not least because of the gigantic Ponzi scheme he has been running that collapsed in 2008 but has left him apparently unpunished and no less wealthy. Then the story loops back to Raphael’s Son’s origins in 1950s Tehran. There, the Soleyman family has amassed great wealth, but owing to his sleepwalking, mysteriously glowing heart and bad health, eldest son Raphael will not live to inherit. Instead, his brother Aaron shoulders responsibility for the family’s money, to the fury of Raphael’s wife, known as the Black Bitch of Bushehr. Despite the impossible timing, she insists that her child is Raphael’s son and heir to the Soleyman fortune. This obsessive claim will lead to kidnapping, murder and much misery, until the Iranian revolution arrives, replacing old outrages with appalling new ones. Aaron’s widow flees to the United States, as does the unscrupulous Raphael’s Son, who has garnered a fortune from extortion. A second act of crime and punishment is played out in California among a close group of refugees who may have begun new lives but cannot escape the long reach of their histories, and that includes Raphael’s Son himself.

Nahai’s boisterous, sardonic, sometimes-lurid portrait of a community and the devil in its midst offers unusual, engrossing storytelling.

Pub Date: Oct. 7, 2014

ISBN: 978-1-61775-321-3

Page Count: 380

Publisher: Akashic

Review Posted Online: July 30, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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