by Gina Cascone ‧ RELEASE DATE: July 22, 2003
A rare and refreshing tribute to a happy and wonderfully exuberant family.
Italian-American Cascone (Mother’s Little Helper, 1986, etc.) pays affectionate tribute to her heritage as she recalls growing up among relatives determined to live life con brio.
In chapters that chronicle the various highlights of her youth, the author begins by recalling how her father adjusted to her being a girl. Though this successful lawyer had expected his firstborn to be a son, he soon decided that even a daughter should not grow up to be one of those “silly ladies.” He taught Cascone to stand up for herself, fight back when attacked, and never to back down. When the boys no longer allowed her to join their baseball games, her father taught her pool. Soon, to his delight, she was not only beating the local adolescent males but her father’s friends too. When a neighbor complained that Gina was playing pool for money, her mother initially forbid her to “hustle,” but upon learning that she was actually beating the men encouraged her to “clean them out.” Cascone recalls her reluctant move from their friendly city neighborhood to a big, new house in the less welcoming suburbs. Daddy sent her to a WASP prep school; her classmates ignored her until they saw her family at a school play and rumors began to circulate that they belonged to the Mafia. Cascone, deciding she might as well be a mob princess, played the role to the hilt. She recalls other memorable episodes: the Christmas her father resolved to have eels for dinner and stored them, alive, in the bathtub; their sentimental visit to Italy, where every meal seemed a celebration; her first encounter with the WASP Prince Charming she eventually married, though never sure whether it was her or the food that kept him coming back.
A rare and refreshing tribute to a happy and wonderfully exuberant family.Pub Date: July 22, 2003
ISBN: 0-7434-5328-X
Page Count: 208
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
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by Gina Cascone & Bryony Williams Sheppard ; illustrated by Olivia Beckman
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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