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NIGHT NAVIGATION

Such stark scenarios will be cathartic for readers who have dealt with them firsthand, and profoundly cautionary for those...

Harrowing first novel about the uneasy symbiosis of an addict and his mother.

Del Merrick, a retired high-school art teacher, inhabits an upstate New York fieldstone farmhouse, which has become the repository of family tragedy. In 1977, her husband, Lee, shot himself in their barn. In 1995, her younger son Aaron drowned, a probable suicide, after living in isolation in a cabin he built on the Merrick property. Now Del returns from a Florida vacation to find that her heroin-addicted, manic-depressive son Mark has once again hit bottom. He’s holed up in his loft, from which he’s blocked out the sun with blankets. The stone house is a mess: garbage piling up, the reek of chain-smoking, cigarette burn-holes everywhere, nothing but rotting food in the refrigerator, every dish unwashed. Overcoming her winter driving phobia, Del takes Mark to yet another detox center some 300 miles north. Mark, whose point of view alternates with Del’s, is a well-drawn and sympathetic character, despite the unflinching portrayal of his narcissism—there’s no one he won’t manipulate while ricocheting between recovery and relapse. At 62, Del yearns for the artistic release that family turmoil has always denied her, for time to draw or recharge at an art colony. She’s hoping Mark, at 37, is finally ready to launch: He’s entered long-term residential treatment. However, one phone call could disrupt her respite at anytime. Howard’s strength, besides lapidary language, is the ability to build scenes around quotidian activities: starting a wood stove, cleaning, walking a dog, cooking chili and, in a pivotal segment, plotting to banish a large colony of attic-dwelling bats. The red tape and repetitiveness of coping with an addicted adult child fuels suspense as the most pressing question persists: Will Del ever be free of the onus, even just in memory, of caring for all the tormented men in her life?

Such stark scenarios will be cathartic for readers who have dealt with them firsthand, and profoundly cautionary for those who haven’t.

Pub Date: April 14, 2009

ISBN: 978-0-15-101432-3

Page Count: 304

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2009

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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