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RELIEF BY EXECUTION

A VISIT TO MAUTHAUSEN

A thoughtful meditation on the painful process of self-knowledge.

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Aras’ (The Fugue, 2015, etc.) memoir recounts a tumultuous childhood and an emotional visit to an Austrian concentration camp as an adult.

The author was born in Cicero, Illinois, in 1973, a “rusted manufacturing town” that borders Chicago’s West Side, where, he says, violence was accepted as a part of ordinary life. His parents were Lithuanian refugees who’d fled Soviet occupation in 1945 and were drawn to Cicero because of its Lithuanian community and its Catholic parish. There, Aras suffered terribly under the violent despotism of his father, he says, which would haunt him well into adult life. The author realized that the account of Lithuanian history that his family taught him was a heavily “edited,” anti-Semitic one, and that, by extension, his own identity “seemed concocted, with most adults I knew participating in its composition.” He later moved to Linz, Austria, and took a job as a teaching assistant, and lived there for three years. But he couldn’t make himself visit the Mauthausen Concentration Camp Memorial—a conspicuous reluctance that the author mines with impressive, introspective depth: “I had learned I had the consciousness of the victim and the perpetrator inside me all at once, and my suffering was the result of a war between them….I had avoided concentration camps because…I feared they’d offer one of these shades the opportunity to win out.” Aras’s remembrance is as philosophically moving as it is brief—fewer than 100 pages. Despite its brevity, the memoir’s confessional candor is profoundly affecting as Aras plumbs the depths of his tortured mind with great sensitivity and humility, as when, early on, he notes how the town of Cicero inspired a “conflicted sense of fear, sadness, concern, and bewilderment” in him. The memoir is part of the Little Bound Book Essay Series; it’s small in size—just 4 by 6 inches—and adorned with a few melancholic black-and-white photographs.

A thoughtful meditation on the painful process of self-knowledge.

Pub Date: Oct. 8, 2019

ISBN: 978-1-947003-47-7

Page Count: 94

Publisher: Homebound Publications

Review Posted Online: Nov. 26, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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