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THE COUNTRY UNDER MY SKIN

A MEMOIR OF LOVE AND WAR

A luminously written, always insightful account of one woman’s encounter with personal and political liberation. (8 pp....

Nicaraguan poet, novelist (The Inhabited Woman, 1994), participant in, and witness to, the Nicaraguan revolution, Belli recalls with engaging candor the course of a life lived to the full.

In its twists and turns, moments of danger followed by intense romantic encounters, Belli’s memoir can resemble exuberant historical fiction. But despite her self-confessed naïveté and romantic temperament, Belli is a thoughtful and honest observer of herself and her times, critical of the course the Revolution took once the Sandinistas were in power and of the way the Ortega brothers monopolized power: “the Revolution slowly lost its steam, its spark—to be replaced by an unprincipled, manipulative, and populist mentality.” The daughter of an upper-class family in Managua, Belli led a privileged life that included trips and schooling abroad. In 1967, barely 18, she married, but continued working even after having her first daughter. At an advertising agency, she worked with a colleague, the “Poet,” who encouraged her writing, seduced her, and introduced her to his artistic and revolutionary friends. In 1970, she was asked to join the Sandinistas, becoming a trusted courier and accompanying leaders to clandestine assignations. She fell in love, left her husband, lived in exile in Costa Rica when she became a target of Somoza’s police, and had meetings with many luminaries, including Castro, who admired her poems. She won awards for her poetry, and, once the Sandinistas took over, was a prominent member of the new government. She began dating an American NPR correspondent whom she eventually married, and now divides her time between California and Nicaragua. Belli appreciates that the Revolution permanently changed her life, but she’s also learned that “not every commitment requires payment in blood—there is a heroism inherent to peace and stability—the challenge to squeeze every possibility out of life.”

A luminously written, always insightful account of one woman’s encounter with personal and political liberation. (8 pp. photos, not seen)

Pub Date: Nov. 5, 2002

ISBN: 0-375-40370-1

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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