An intricate, sexy historical narrative, exploring the triumph of individual will over masculine coercion.
Nicaraguan poet, novelist and memoirist Belli (The Country Under My Skin, 2002, etc.) offers a beguiling feminist take on the frustrated life of a 15th-century Spanish queen.
The tortuous saga of Juana of Castile, daughter of Isabella and Ferdinand, who spent 46 years of her life locked away as a madwoman, is evoked through an illicit modern-day love affair. Now 17, Lucía has been a student at a Madrid boarding school for four years, since her Latin American parents died in a plane crash. Much older Manuel, a professor specializing in the Spanish Renaissance, is obsessed with Juana’s story and much taken by Lucía because she looks remarkably like the queen. Manuel seduces the willing virgin by dressing her in a period costume and mesmerizing her with a longwinded narration of Juana’s life: Beginning with her birth in 1479, the tale takes a dark turn with Juana’s passionate marriage at age 16 to Philippe the Handsome, Archduke of Burgundy, whose ties to the Hapsburg line are politically desirable but later disastrous. The novel moves fluidly between the Renaissance and the present, with both stories narrated in the first person, as if Lucía is indeed possessed by Juana. The Spanish princess bears many children for Philippe and overlooks his infidelities while she grows increasingly isolated living away from her family. After a series of unexpected deaths, Juana is in line for succession as queen of Castile but is thwarted and imprisoned through the machinations of her husband, father and son (who became Holy Roman Emperor Charles V). In the present, young Lucía becomes pregnant and is ensconced in Manuel’s childhood home, where his Aunt Águeda watches over her. Also surveying Lucía are the ghosts of Manuel’s ancestors, the Denias, who were appointed to guard Juana but ended up looting her effects. Belli’s historical savvy and skillful use of novelistic devices render these intertwined tales powerfully compelling.
An intricate, sexy historical narrative, exploring the triumph of individual will over masculine coercion.Pub Date: Sept. 1, 2006
ISBN: 0-06-083312-2
Page Count: 320
Publisher: Rayo/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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