An intricate, sexy historical narrative, exploring the triumph of individual will over masculine coercion.
Nicaraguan poet, novelist and memoirist Belli (The Country Under My Skin, 2002, etc.) offers a beguiling feminist take on the frustrated life of a 15th-century Spanish queen.
The tortuous saga of Juana of Castile, daughter of Isabella and Ferdinand, who spent 46 years of her life locked away as a madwoman, is evoked through an illicit modern-day love affair. Now 17, Lucía has been a student at a Madrid boarding school for four years, since her Latin American parents died in a plane crash. Much older Manuel, a professor specializing in the Spanish Renaissance, is obsessed with Juana’s story and much taken by Lucía because she looks remarkably like the queen. Manuel seduces the willing virgin by dressing her in a period costume and mesmerizing her with a longwinded narration of Juana’s life: Beginning with her birth in 1479, the tale takes a dark turn with Juana’s passionate marriage at age 16 to Philippe the Handsome, Archduke of Burgundy, whose ties to the Hapsburg line are politically desirable but later disastrous. The novel moves fluidly between the Renaissance and the present, with both stories narrated in the first person, as if Lucía is indeed possessed by Juana. The Spanish princess bears many children for Philippe and overlooks his infidelities while she grows increasingly isolated living away from her family. After a series of unexpected deaths, Juana is in line for succession as queen of Castile but is thwarted and imprisoned through the machinations of her husband, father and son (who became Holy Roman Emperor Charles V). In the present, young Lucía becomes pregnant and is ensconced in Manuel’s childhood home, where his Aunt Águeda watches over her. Also surveying Lucía are the ghosts of Manuel’s ancestors, the Denias, who were appointed to guard Juana but ended up looting her effects. Belli’s historical savvy and skillful use of novelistic devices render these intertwined tales powerfully compelling.
An intricate, sexy historical narrative, exploring the triumph of individual will over masculine coercion.Pub Date: Sept. 1, 2006
ISBN: 0-06-083312-2
Page Count: 320
Publisher: Rayo/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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