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NAKED TEXT

EMAIL WRITING SKILLS FOR TEENAGERS

Snappy, useful chat about email importance and etiquette.

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An “email evangelist” outlines the value of email for teens addicted to texting.

“If you want to do big things in life, you’ll probably need to send e-mails,” advises Hausmann, who targets text-loving teens in her latest “Naked”-branded book. While texting is fun, fast, and effective for connecting to friends “in the now,” she says, teens must understand the nuances of email to function in an adult, career-driven world. Noting that networking is easier than ever thanks to digital communication, Hausmann details seven rules for drafting effective emails: use a professional, not colorful email address; respond within 24 hours; write a concise subject line; include a greeting (having none is too brusque); use correct spelling (particularly of the recipient’s name); ensure that all necessary information is included; and add a salutation (avoid the overused “Sincerely”). Hausmann concludes her book by sharing some “ludicrous” emails and tweets that she has seen (“They call it e-mail, because me-mail was too long”). Hausmann (Naked News for Indie Authors: How Not to Invest Your Marketing $$$, 2016, etc.) proclaims her primer is “a non-fluff, no-nonsense book.” For the most part, she is right: her email protocols provide common-sense suggestions for emoji-obsessed teens, especially the excellent tip that readers link to their professional websites or portfolios in email signatures. She does include some fluff, however, listing websites of teenage entrepreneurs, which seems like filler in this slim book. Overall, this is a quick, conversational kick-start for teens interested in building their professional presence.

Snappy, useful chat about email importance and etiquette.

Pub Date: Oct. 9, 2015

ISBN: 978-0-9963893-8-9

Page Count: 74

Publisher: Educ Easy Books

Review Posted Online: Nov. 18, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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