A bevy of action, suspense, and romance within a detailed futuristic setting.
Two agents work a simple murder case together and stumble upon an intergalactic conspiracy in the first book of Carminati’s sci-fi series.
Sarza Beshemet is a trusted Interplanetary Police (IPP) agent, but her animosity for humans is understandable. She’s a Sparcus, part of an alien race that used its brute strength to end the Great Conflict among the planets in the early 23rd century. Consequently, Earth feared Sparcus dominance and initiated Project Geno, the sterilization of all Sparcus males. IPP assigns human agent Wes Venta to be Sarza’s handler for a case involving a dead alien (a Braxian). The circumstances of the murder seem to implicate various species. The investigating duo are soon looking into a series of killings and quickly suspect something bigger at play—especially after apparent Sparcus agents try to kill Sarza. Carminati’s novel concentrates on the mystery, but doesn’t shy away from romance. There’s a mutual but repressed attraction between Sarza and Wes, which opens up a delightful avenue for Sarza’s character: her hair changes color with her mood, so she can’t hide her arousal. She often has blue hair when near Wes, and a story highlight is when her hair turns purple, a mix of blue and red—the latter hue a sign of anger. (Carminati also incessantly toys with readers’ anticipation of a sex scene.) The conspiracy running throughout the narrative also provides a persistent tension. Both agents, for example, have a secret; readers know right away that Sarza’s a double agent for the covert but publicly denied Sparcus intelligence organization, which is searching for a rumored antidote to the mass sterilization. There’s an overwhelming sense of distrust among the species, and the threat of a second Conflict; different aliens turn up dead on different planets, and Sarza suspects that the Sparcus may be responsible for at least one murder. There’s undoubtedly plenty of room for a sequel with Sarza, Wes, or any of the other vibrant characters here.
A bevy of action, suspense, and romance within a detailed futuristic setting.Pub Date: May 1, 2013
ISBN: 978-0-615-75824-4
Page Count: 262
Publisher: CreateSpace
Review Posted Online: Aug. 18, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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