Historical but not didactic, in the manner of the master of the genre, E.L. Doctorow, and more completely realized than...

SUNNYSIDE

A big, splashy novel about a little, splashy subject: Charlie Chaplin, the original movie star.

Gold (Carter Beats the Devil, 2001) takes on much more than the Little Tramp, however. His narrative is set against the broad canvas of the First World War era, with appropriately attendant surrealist moments, as when the German Kaiser marvels at a Wild West show staged by one Duncan Cody, then worries that he will one day have to be fighting these savage Americans, only to be consoled, “Er ist nicht Buffalo Bill.” Chaplin, for his part, enjoys the occasional quiet getaway, which nearly earns him a drowning off the wild coast of Northern California but instead results in the acquaintanceship of some fine but never ordinary folk, all of whose stories intertwine with his and wander even farther afield—among other destinations, to northern Russia, where an American expeditionary force landed after the Bolsheviks came to power, ostensibly to secure American materiel but in fact to fight the Reds on their home turf. (“Why am I here?” ponders one soldier, a movie buff. “Where am I? And why do we have overcoats? I am depressed.”) Gold hits a promising scenario with that adventurist debacle, but he doesn’t quite work it for all it’s worth, since his story requires travel elsewhere while Chaplin attempts to make a doomed film called, yes, Sunnyside—doomed because, then as always, the suits got in the way. (“The kingpins of the industry, having taken the measure of the situation, finally brought their plans to fruition, with the result of stopping Charlie Chaplin dead in his tracks.”) Gold’s tale strains from overreach now and again, but that is the price one pays for such ambition—and this is an ambitious, very well-written book full of memorable moments, not least of them starring Rin Tin Tin.

Historical but not didactic, in the manner of the master of the genre, E.L. Doctorow, and more completely realized than Gold’s debut.

Pub Date: May 11, 2009

ISBN: 978-0-307-27068-9

Page Count: 640

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2009

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...

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A GENTLEMAN IN MOSCOW

Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.

Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility (2011).

Pub Date: Sept. 6, 2016

ISBN: 978-0-670-02619-7

Page Count: 480

Publisher: Viking

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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