The life and times of an ordinary man, with longueurs and lack of drama intact.
Man dies, gets to hover around and check out what the family is up to.
In the latest example of our recent obsession with a nonsectarian afterlife, Duncan (I, Lucifer, 2003, etc.) takes your ordinary recently dead schmoe, Nathan Clark, and puts him in the ectoplasmic ether, floating through the lives and thoughts of his family and friends. In a well-rendered but confusing start, Nathan requires considerable time to get his bearings and figure out why all those people are staring at his grave. It takes some time for the reader, too, to get acclimated inside Nathan’s head, which is, not surprisingly, buzzing with questions but also seems to be meshing with the thoughts of the people he’s watching. With a certain guilty voyeurism, he takes an eye to what his daughter Gina is up to, as to whether she’s sleeping with that none-too-trustworthy boyfriend of hers (Duncan makes little attempt to play down the more naturally prurient aspects of Nathan’s and in fact seems to revel in them). Nathan also delves into his relationship with his wife, Cheryl, a spiky-tempered ball of trouble whom he hasn’t really been able to connect with since the tragic death of their younger daughter, Lois. The men in Nathan’s life aren’t any easier: his father is a remote and sad fellow, his son Luke a basically good but distant and hard-to-figure kid. There’s an affair here for Nathan to uncover, as well as a room in his house he can’t quite bring himself to go into—and then, too, there’s the matter of the reason behind his restless ghostly wanderings in the first place. Duncan’s portrayal of the afterlife is refreshingly unsentimental, and he has plenty of talent to spare on the highs, lows, and everyday frustrations of family life, but it’s hard even so for the attention not to wander.
The life and times of an ordinary man, with longueurs and lack of drama intact.Pub Date: Jan. 1, 2005
ISBN: 0-8021-7004-8
Page Count: 320
Publisher: Black Cat/Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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