Johns comes across as an amiable guy who got lucky, and there must be more to it than that.
A matter-of-fact memoir by the renowned record producer.
Known for his work with the Rolling Stones, the Beatles, the Who, the Eagles, and Crosby, Stills and Nash, Johns seems like a modest guy with a strong work ethic, self-effacing to a fault. And he’s not much for gossip, which means most of the secrets and scandals from these tempestuous artists are not illuminated here. As he explains of the recording of the Beatles’ “Let It Be,” where fissures turned into large cracks, “[i]t is not my place to discuss any detail of what happened, but it is common knowledge that George [Harrison] left the band and was persuaded to return a couple of days later.” The author does acknowledge that Yoko Ono’s presence was a little intrusive, but that’s common knowledge as well. Readers looking for previously unrevealed dirt will be disappointed, as Johns isn’t looking to grind any axes or settle scores. His revelations mainly concern himself, such as the fact that “most find it incomprehensible to believe that I was completely straight and in fact have never taken drugs of any sort. Other than the odd aspirin.” Little wonder, then, that his favorite Rolling Stone was his one-time roommate Ian Stewart, the pianist who wasn’t deemed rock ’n’ roll enough by the band’s manager, and that he didn’t get on well with Keith Richards or Eric Clapton during the depths of their addictions. “I have yet to meet a heroin addict that I would choose to have any kind of social intercourse with let alone a creative relationship,” he writes, “and I’m sure the feeling would be mutual.” Though the book traces the arc of a half-century’s worth of impressive studio credits, one never gets the sense of what distinguishes his studio approach and generated so many hit singles and classic albums.
Johns comes across as an amiable guy who got lucky, and there must be more to it than that.Pub Date: Nov. 13, 2014
ISBN: 978-0399163876
Page Count: 320
Publisher: Blue Rider Press
Review Posted Online: Sept. 27, 2014
Kirkus Reviews Issue: Oct. 15, 2014
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
