by Gordon Fitchett & illustrated by Gordon Fitchett ‧ RELEASE DATE: April 1, 2000
High-fashion ducks rendered in rich color pencil star in an otherwise ordinary retelling of this Grimms fairytale. The shoes of the king’s 12 daughters are mysteriously worn out every morning as if they had been danced in all night. The king has promised to reward the prince who could spend the night with the princesses and discover their secret. Prince after prince is tricked by the princesses and beheaded. Eventually an old soldier meets a woman on the road who gives him an invisible cloak and warns him not to drink anything that the princesses give him. Newcomer Fitchett’s richly textured, highly detailed wardrobes for the princesses are amusing. The black lace-up boots, stiletto heels, funky-chunky platforms, and sexy slides are all worthy of a spread in Women’s Wear Daily. The sanguine expressions, highlighted in thick red lipstick, on all of the ducks display an unexplained ennui. Close observers will be able to spot a princess not only dancing but also skinny-dipping at the party. Unfortunately, the text does not match the humorous and lush illustrations in wittiness or style, but those ducks do have a certain appeal. (Picture book/fairy tale. 5-8)
Pub Date: April 1, 2000
ISBN: 0-8037-2474-8
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2000
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adapted by Clare Scott-Mitchell & illustrated by Gordon Fitchett
by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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by Amy Krouse Rosenthal & Christy Webster ; illustrated by Brigette Barrager & Chiara Fiorentino
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by Tom Lichtenheld & Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld
BOOK REVIEW
by Amy Krouse Rosenthal ; illustrated by Mike Yamada
adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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More by Rachel Isadora
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by Rachel Isadora ; illustrated by Rachel Isadora
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by Rachel Isadora ; illustrated by Rachel Isadora
BOOK REVIEW
by Rachel Isadora ; illustrated by Rachel Isadora
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