A lovely debut brimming with deeply felt and well-rounded stories.
A wide range of stories examine family and life in contemporary Botswana.
These stories—set mainly in the author’s hometown of Serowe and the Botswanan capital of Gaborone—illuminate the inner lives of girls and women of varying ages. Idiomatic phrases add texture to the prose, elegantly describing the characters' lives and their internal conflicts. In the opening story, “Botalaote,” Boikanyo tires of taking care of her sick aunt and creates emotional distance by calling her “the patient.” Like all young people, she seeks excitement and would rather, as she says, “eat my youth.” Boikanyo begins dating a boy called Sixteen who helps distract her from her responsibilities. Years later, when she tells her friends the story of her youth, she realizes that death was omnipresent. Her friends are most interested in the “juxtaposition of school and cemetery, [which were] side by side, and a hill cutting them off from the ward. It was as if they thought that, away from our parents, we kids fraternized with the dead.” With death comes the inevitable question of how to live, which many of the narrators of these stories grapple with. In “Small Wonders,” a widow frozen with grief can’t understand how the world hasn’t stopped since her husband’s death. She isolates herself and tries to delay the necessary final farewell ceremony. And in “A Good Girl,” a young woman who as a child strove to be well-mannered goes to university and lives in a way her family wouldn’t approve of as she searches for love. Of herself and her roommates she says, “We wanted love, oh, we wanted love, but we knew, we had been warned, that for girls like us, love was dangerous, a bright-burning flame, it would lick us alive.” Moreover, she recognizes the hypocritical expectations placed on her. Her brother flaunts his infidelity to his wife while she feels it’s necessary to hide her exploits.
A lovely debut brimming with deeply felt and well-rounded stories.Pub Date: Jan. 31, 2023
ISBN: 978-0-593-49098-3
Page Count: 304
Publisher: Viking
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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