Profound empathy and understated eloquence mark a novel so artfully nuanced that the last few pages send the reader back to...
A novel as contemporary as international terrorism and the war in Iraq and as timeless as mortality, from one of Britain’s literary masters.
“The past is past, and the dead are the dead,” was the belief of the strong-willed Ellie, whose husband, Jack, a stolid former farmer, is the protagonist of Swift’s ninth and most powerful novel. As anyone will recognize who is familiar with his prize-winning masterworks (Last Orders, 1996, etc.), such a perspective on the past is in serious need of correction, which this novel provides in a subtly virtuosic and surprisingly suspenseful manner. It’s a sign of Swift’s literary alchemy that he gleans so much emotional and thematic richness from such deceptively common stock. Jack and Ellie have grown up together in the British farm country, and their marriage is practically inevitable once both are on their own. Jack’s mother died when he was a boy; Ellie’s left home for another man. Jack’s brother, Tom, eight years younger but in many ways more worldly and self-assertive, forsakes the farm life to join the army as soon as he can. The fathers of Jack and Ellie both die; Tom remains out of contact for more than a decade. At Ellie’s insistence, they sell their property in order to run a seaside vacation park she has inherited. Every winter the childless couple takes a Caribbean vacation. When Tom dies in Iraq, Jack must deal with the arrangements. He cancels the annual vacation and his marriage all but unravels. The minister who had handled the funeral of Jack’s father and now his brother knows that the eulogy needs to be “as little and simple as possible…as simple as possible being really the essence of the thing.” Swift somehow cuts to the essence of both a family’s legacy and the modern malaise through the reticent Jack, who comes to terms with the realization that “all the things that had once been dead and buried had come back again.”
Profound empathy and understated eloquence mark a novel so artfully nuanced that the last few pages send the reader back to the first few, with fresh understanding.Pub Date: April 17, 2012
ISBN: 978-0-307-70012-4
Page Count: 336
Publisher: Knopf
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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