Ooh la la. The Senate race may be tight, but this book is a shoo-in.
In this timely comic novel set in New York and Paris, a political family deals with drama past and present.
A new book from Ginder beckons the reader like a hot bath and glass of something, a reliable and relaxing pleasure. Here the point of departure is a riot in Paris during which a young American pitches a champagne bottle through the window of a famous restaurant, apparently at the behest of a French right-wing extremist. This is bad news for her mother, Nancy Harrison, who is running for the U.S. Senate from New York. Nancy has been representing her district in the House of Representatives for nearly 20 years, since her husband's death opened the seat, and her hard work, vision, and political instincts have led to this Senate race. Her competition is a Republican television actor "whose most impressive accomplishment was hiding his Botox"—still, beating him won't be easy, especially with these new headlines. Her son, Nick, who's just retired from the stress of working for his mom and is looking forward to getting off benzos and finding a boyfriend, is tapped to fly over and pry sister Greta away from the evil Frenchman. Ginder aces the small stuff: sparkling dialogue, hilarious supporting characters (Greta's roommates!), whimsically named establishments—a doggy day care is BowHaus; a retirement community, Boom Town; a favorite restaurant, Me, Myself, and Thai. Nick is writing a musical based on the work of...Joan Didion. And you know the old saying about a gun in the drawer in the first act? Well, here the gun is a state-of-the-art trash compactor. Keep your eye on that thing. He also aces the big stuff, characteristically insightful on sibling and parent-child relationships and politically on message. As Nancy puts it, "The only option is to fix things, because you're sure as hell not going to leave them for your children looking like this."
Ooh la la. The Senate race may be tight, but this book is a shoo-in.Pub Date: April 5, 2022
ISBN: 978-1-250-24377-5
Page Count: 352
Publisher: Henry Holt
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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