A daisy chain of debacles makes time spent with “people we hate” good fun.


An extravagant wedding is threatened by equally lavish family tensions.

Paul is a cranky gay guy, and he has a lot to be cranky about, really. He has a job at a clinic where he helps people face their compulsions—for example, forcing a germophobic client who could have “been plucked from a year-old Talbots catalog” to stand in trash cans full of rotting food and maxipads. At home, his smug, controlling boyfriend wants to start inviting strangers into their bed for three-way sex. And his half sister, Eloise, who lives in England, has just sent out ridiculously expensive invitations to her wedding—she must have spent nearly five grand, as he and his other sister, Alice, determine in the phone conversation that opens the book. Paul initially refuses to attend the wedding for the same reasons he refuses to take his mother’s phone calls—he can’t stand Eloise, thinks their mom favors her, and has been alienated from the family since his father’s death. Meanwhile, Alice is not doing great either: living in LA, she dates a married man and relies on Klonopin to get her through the days, unable to recover from a miscarriage that happened years ago. Their mother, Donna, is not too broken up about the death of her second husband (Paul and Alice’s dad) and still half in love with her first (Eloise’s, who will be at the wedding). She is just hoping to smooth over all these problems and get her children together for the fabulous event. Ginder (Driver’s Education, 2013) has a gift for the gleefully outrageous, dishing up one over-the-top scene after another—a meltdown at the compulsion clinic, a drugged-up gay sex imbroglio, a room service debauch, an unexpected and quite unwelcome kayaking trip.

A daisy chain of debacles makes time spent with “people we hate” good fun.

Pub Date: June 6, 2017

ISBN: 978-1-250-09520-6

Page Count: 336

Publisher: Flatiron Books

Review Posted Online: March 7, 2017

Kirkus Reviews Issue: March 15, 2017

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 31, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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