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Haylow

A funny, thoughtful campus tale.

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A Georgia college professor attempts to escape the ghosts of history in Stewart’s debut novel.

Atlanta, 1996: the Olympics have just left town, and historian Travis Hemperly has returned there to take up a temporary teaching position at a historically black college. The white Hemperly’s previous teaching experience includes three years at the University of Minnesota followed by a year of performing Viking re-enactments at a tourist destination in Newfoundland, Canada—neither of which has sufficiently prepared him for a career in what Abraham Baldwin Longman, one of his new colleagues, jokingly refers to as “Blackademia”: “Travis is out of his element. He has never taught on a historically black campus, has never been a minority on any piece of real estate he has ever set foot on.” It’s a difficult transition, though one that Travis is willing to make if only because there aren’t many other options for him in the shrinking academic market. Despite cultural differences and disparate sensitivities, things begin to improve—until another colleague discovers that Travis’ conspiracy-obsessed father, Henry Hemperly, hosts the racist AM-radio call-in show “Confederate Talk Radio.” What’s more, a discussion of lynching reminds Travis of a story that his father told him when he was boy about an event Henry witnessed in the tiny village of Haylow, where a man was tied to a tree and murdered with an ax. In order to remain in his new position, Travis will have to come to terms with some history outside his area of specialization—that of his family and that of the South. Stewart tells Travis’ story in lucid, observant prose (“There is a lot to look at up in the sky tonight, a lot of action going on in the cosmos….All of this astronomical activity must mean something, so it seems like the right night for an appeal to the universe”), and he gives his novel a buoyant satirical gloss without teetering too far into ridiculousness. His characters are well-drawn and generally quite complex—even the largely unsympathetic ones—and the dialogue in particular crackles with personality. The book does drag in some sections and might have been improved with a bit of condensing. Even so, it represents an amusing and sometimes quite scathing look at academia, racial tensions, and the oppressive weight of the past that still characterizes life in the South.

A funny, thoughtful campus tale.

Pub Date: Aug. 31, 2016

ISBN: 978-1-60489-173-7

Page Count: 282

Publisher: Livingston Press

Review Posted Online: Aug. 19, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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