by Greg Dawson ‧ RELEASE DATE: July 15, 2009
A patiently recounted narrative, especially informative about Nazi atrocities in Ukraine.
The inspiring story of a Ukrainian Jewish girl trained as a pianist who performed for the Nazis to avoid capture.
The author’s mother, Zhanna Arshanskaya, did not discuss her plight with her son when he was a child living in “blissful ignorance” with his musician-teacher parents in Bloomington, Ind. Seasoned journalist Dawson, now a columnist for the Orlando Sentinel, re-creates the terrifying war era by furnishing brief first-person memories in the voice of his mother that alternate with the main historical narrative, which begins with Zhanna and her younger sister, Frina, learning to play the piano at the behest of their father, Dmitri, a candy maker and violinist. As the sisters’ progressed in their musical studies, the family moved to Kharkov so that the girls could attend the city’s prestigious conservatory. But in 1941, when Zhanna was 14, “the German army moved inexorably, and murderously, across the Ukraine.” As Zhanna’s family was marching toward the killing ravines, Dmitri urged his daughter to flee: “I don’t care what you do, just live. Go!” After escaping into the countryside, Zhanna was eventually reunited with her sister. The young girls relied on strangers’ kindness and were coached to reinvent identities for themselves until their piano-playing in an orphanage caught the attention of the music school. They played for the German soldiers and then were sent as a troupe of performers to Berlin and—in a sick twist—on tour to slave-labor camps. Eventually the sisters’ musical gifts earned them passage to America and enormous later achievement, as Dawson gracefully sums up.
A patiently recounted narrative, especially informative about Nazi atrocities in Ukraine.Pub Date: July 15, 2009
ISBN: 978-1-60598-045-4
Page Count: 288
Publisher: Pegasus
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2009
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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