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ROOM 1219

THE LIFE OF FATTY ARBUCKLE, THE MYSTERIOUS DEATH OF VIRGINIA RAPPE, AND THE SCANDAL THAT CHANGED HOLLYWOOD

The definitive account of one of Hollywood's most notorious scandals.

What really happened between Roscoe “Fatty” Arbuckle and Virginia Rappe in that San Francisco hotel room on September 5, 1921?

A few days after their encounter, Rappe, a movie bit player, died, and enormously successful film comedian Arbuckle was arrested for murder. Later charged with manslaughter, he survived two hung juries (one favored acquittal, the other conviction) before a third acquitted him. Merritt (Celluloid Mavericks: A History of American Independent Film, 2000, etc.) displays great compassion for all involved, especially the two principals, both of whom have suffered at the hands of both formal and informal biographers. (Among other things, he traces, and dismisses, the egregious, pervasive story about rape-by-bottle.) Merritt begins with the Labor Day weekend when Arbuckle drove his lavish Pierce-Arrow to San Francisco for a hotel party. Although Prohibition was the law of the land, liquor flowed freely; Arbuckle had a huge stash back in his mansion. The author intercuts the stories of the weekend with the biographies of Arbuckle and Rappe, alternating chapters until he arrives at the trials. He provides necessary cinema history, including the history of film censorship, and ends with his own evaluation of the evidence and his conclusions about what probably occurred—though only Arbuckle and Rappe were present, so certainty is elusive. Merritt charts the sad arc of Arbuckle's career after his acquittal, emphasizing the loyalty of friends like Buster Keaton, and discusses his subsequent work behind the camera and on the vaudeville stage, where audiences often received him warmly. The author notes that the Arbuckle case was one of the earliest in America's culture wars. Arbuckle emerges as a sympathetic figure, but many others, including movie moguls, don’t fare as well.

The definitive account of one of Hollywood's most notorious scandals.

Pub Date: Sept. 1, 2013

ISBN: 978-1-61374-792-6

Page Count: 440

Publisher: Chicago Review Press

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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