The media called them Good Samaritans, those brave souls who rescued drivers trapped at the Florence and Normandie intersection- -ground zero of the '92 L.A. riots. Alan-Williams, an African- American actor, was one of them. Here, his short but impassioned report dovetails his role at the intersection with reflections on black rage, mob violence, individual responsibility, and the dangers of stereotyping. Alan-Williams hears the Rodney King beating verdict on his car radio. After his aerobics class, he drives purposefully to the already notorious intersection, his large hope being to save the victims from their aggressors and the aggressors from themselves. The actor was no saint. He had been badly bruised by racism during his Iowa childhood and understood the self-destructive rage that ensues, but he had also—as an aspiring Marine eager to show he was ``one of the fellas''—participated in a despicable group attack on a fellow-recruit. At the intersection, he plunges into the mob to rescue an Asian truck-driver, beaten to a pulp. He drags him away, drawing for support on the ``gathering of heroes'' inside his head, those who had taught him compassion (like the Mayan woman in Mexico caring for her disfigured child) and those who had taught him steadfastness (his Marine drill instructors). Perception is everything. Where Alan-Williams sees in the driver his battered childhood self, a furious teenager sees a justly punished ``Korean motherfucker.'' (The victim is, in fact, Japanese-American.) Minutes later, an LAPD squad car approaches the blood-soaked Samaritan and his charge, sees human refuse, and speeds away. But there is a happy ending. Overcoming his prejudice, Alan-Williams entrusts Takao Hirata to a ``brother'' wearing a shoulder-length ``doo'' rag, who delivers him safely to the hospital. A moving illumination of the meaning of brotherhood. It deserves to sell and sell and sell. (Eleven photographs—not seen)
Pub Date: Feb. 1, 1994
ISBN: 0-89733-404-3
Page Count: 200
Publisher: Academy Chicago
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1993
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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