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AIR TRAFFIC

A MEMOIR OF AMBITION AND MANHOOD IN AMERICA

An engrossing memoir of history and memory.

A celebrated poet shares the stories that defined him.

Near the beginning of his first work of nonfiction, Pulitzer Prize winner Pardlo (Digest, 2014, etc.) discusses the Professional Air Traffic Controllers Organization strike of 1981, which served as a way for Ronald Reagan to demonstrate his presidential power. The author’s father, an air traffic controller at the time, was fired from his job and forced to start anew in a society that posed systemic obstacles for black families. “I learned from my father that there was no glory in just winning,” writes Pardlo. “Capricious, pendular, my father’s wont was to sway by the rope of his devotions, to and fro, and winning was a one-way trip. What point was there in winning if it precluded the possibility of a comeback?” Punctuated by anecdotes and explorations of his relationship to his father and heritage, the book is a careful and delicately crafted window into the private life of the author, imparting knowledge and insight on identity and race politics in 20th-century America. Pardlo tells of the aftermath of his father’s termination, which led the author to join the Marines, travel abroad, slide into alcoholism, and, ultimately, find love. "I imagined freedom as a kind of armor that would protect me….I wanted to remake myself as a cosmopolitan artist with a magical blue passport,” he writes, “but I had only a two-word vocabulary for escape: money and power.” Pardlo’s work is masterfully personal, with passages that come at you with the urgent force of his powerful convictions: “What’s shameful is when poets, writers, artists deny culpability for perpetuating stereotypes or, worse yet, when we champion stereotypes to pander to our readers’ need to believe in a predictable, knowable world.” The author manages to distill stereotypes to their very core, providing a genuine and productive exposition of issues of masculinity in the contemporary world.

An engrossing memoir of history and memory.

Pub Date: April 10, 2018

ISBN: 978-1-5247-3176-2

Page Count: 288

Publisher: Knopf

Review Posted Online: Jan. 27, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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