An honorable if sometimes clumsy attempt to put the Doors in their cultural place.

THE DOORS

A LIFETIME OF LISTENING TO FIVE MEAN YEARS

The veteran critic (Bob Dylan by Greil Marcus, 2010, etc.) turns his attention to one of the defining rock bands of the 1960s.

Outside of the band’s 1967 debut album, the Doors strike Marcus as a mediocrity. So why write about them? In part because the release of “official bootleg” albums of live Doors shows offer new perspectives for Marcus to consider. It may help to have 2003’s Boot Yer Butt! handy as he sagely discusses the group deconstructing “Light My Fire” onstage in 1967, or the way “The End” messily collapsed live a year later. In those pieces, Marcus eagerly strips the Doors of the psychedelic clichés that have attached to them. A compulsion to debunk myths about the ’60s drives much of this book: Sick of being called upon to opine romantically on Woodstock culture, Marcus hears the death of the Summer of Love dream in the Doors’ music, the way its mood seemed to foreshadow the Manson murders and the Altamont tragedy. As ever, the author synthesizes a variety of works to make such points, and the connections aren’t always clear or convincing. What “Twentieth Century Fox” has to do with pop artists like Roy Lichtenstein is no clearer at the end of one essay than it was at the beginning. But Marcus’ enthusiasm is often infectious, as in his astonishment over his admiration for Oliver Stone’s biopic or the way Thomas Pynchon’s Inherent Vice harks back to Morrison’s crazed vocals on “L.A. Woman.”

An honorable if sometimes clumsy attempt to put the Doors in their cultural place.

Pub Date: Nov. 1, 2011

ISBN: 978-1-58648-945-8

Page Count: 240

Publisher: PublicAffairs

Review Posted Online: Aug. 21, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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