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ARMENIAN GOLGOTHA

A MEMOIR OF THE ARMENIAN GENOCIDE, 1915-1918

An important historical document, though its relentless depiction of atrocity make this a hard slog for the average reader.

The first English translation of a seminal personal account of the first modern genocide.

Balakian (1873–1934) was a prominent intellectual and priest of the Armenian Church in Turkey at the outbreak of World War I. The Ottoman Empire was publicly neutral but secretly allied with Germany. Turkey’s long-persecuted Armenian minority favored Russia and her allies, because Czar Nicholas II had long been an unofficial, and ineffective, protector of Armenian Christians under Ottoman rule. This proved disastrous when Russia declared war on Turkey in November 1914, and Ottoman officials decided that the entire Armenian population represented a fifth column. There had been earlier massacres of Armenians in Turkey, but nothing like the nightmare that began with the April 1915 arrest in Constantinople of 250 Armenian intellectuals, including Balakian. In a text originally published in 1922, he relates their Kafka-like ordeal, in which humiliating abuse alternated with occasional kindness, and the release of a few was counterpointed by occasional killing of others. After ten months, the remnant of Balakian’s group was ordered to march west, joining hundreds of thousands of additional victims. While ordinary Germans’ acceptance of Jewish persecution was mostly passive, Balakian describes the Turkish population, civilian and military, enthusiastically falling upon the Armenians in an orgy of torture, slaughter, rape and robbery. More than a million Armenians died. With luck, the aid of comrades and a few sympathetic officials, Balakian survived to write this memoir, which combines extensive research, an account of his own experiences and testimony from eyewitnesses, both victims and perpetrators. Poet, memoirist and Armenian holocaust historian Peter Balakian (The Burning Tigris: The Armenian Genocide and America’s Response, 2005, etc.), Grigoris’s great-nephew, collaborated with professional translator Sevag to render the blistering Armenian text into modern English.

An important historical document, though its relentless depiction of atrocity make this a hard slog for the average reader.

Pub Date: April 2, 2009

ISBN: 978-0-307-26288-2

Page Count: 544

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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