Pura Belpré winner McCall delivers an ambitious, sardonically relevant historical novel—a must-read, complex twist on a...

SHAME THE STARS

In the early 1900s in Texas, the Mexican Revolution crosses the border, dividing the brown-skinned gente (people) from the white authority of the Texas Rangers.

Eighteen-year-olds Joaquín del Toro and Dulceña Villa love each other; however, after their families fall out, they must resort to keeping their relationship a secret. The del Toros own a large estate with cattle and farmland and are friendly with Capt. Munro, the local leader of the Texas Rangers. The Villas own the print shop and are publishers of El Sureño, the local periodical considered seditious by the town’s authorities. Told from Joaquín’s point of view, the novel spans three and a half years of corrupt agendas, power struggles, violence, racism, and loss. Scattered throughout are well-placed, nonitalicized Spanish words and phrases, both archival and fictional newspaper clippings, letters exchanged between hotheaded Joaquín and no-nonsense Dulceña, and Joaquín’s poetry-filled journal entries, personalizing and adding context to the overall political conflict. Far beyond a love story, the novel successfully tackles all kinds of hardship, including sexual violence and lynching; the historical conflict between the Rangers and the Tejanos feels uncannily contemporary. Women are the hidden heroes, because they must be, the hearts of both the revolution and the novel.

Pura Belpré winner McCall delivers an ambitious, sardonically relevant historical novel—a must-read, complex twist on a political Shakespearean tragedy. (cast of characters, author’s note, further reading, sources, glossary) (Historical fiction. 12 & up)

Pub Date: Sept. 1, 2016

ISBN: 978-1-62014-278-3

Page Count: 320

Publisher: Tu Books

Review Posted Online: June 22, 2016

Kirkus Reviews Issue: July 1, 2016

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An inspirational read.

THE LIGHT IN HIDDEN PLACES

A true story of faith, love, and heroism.

Stefania “Fusia” Podgórska longed for nothing more than to leave the rural Polish farm she was born on for the city of Przemyśl where her older sisters lived. At the age of 12, she did just that, finding a job with the Diamants, a family of Jewish shopkeepers who welcomed her into their lives. For three years they lived peacefully until the Germans dropped bombs on Przemyśl. The family struggled on as the war and anti-Semitism ramped up, but eventually, the Diamants were forced into a ghetto. Then 17, Catholic Fusia was determined to help them survive, even at the risk of her own safety, while also caring for her 6-year-old sister, Helena, after their family was taken by the Nazis for forced labor. Knowing the risks involved, Fusia made a bold decision to harbor Jews. As the number of people she sheltered increased, so did her panic about being caught, but she was determined to do what was right. Cameron (The Knowing, 2017, etc.) used Stefania’s unpublished memoir as well as interviews with family members as source material. She deftly details Fusia’s brave actions and includes moving family photographs in the author’s note. Narrated in the first person, the story highlights essential events in Fusia’s life while maintaining a consistent pace. Readers will be pulled in by the compelling opening and stay for the emotional journey.

An inspirational read. (author’s note) (Historical fiction. 13-18)

Pub Date: March 3, 2020

ISBN: 978-1-338-35593-2

Page Count: 400

Publisher: Scholastic

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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A solid introduction for budding lovers of the Bard.

HAMLET

From the Campfire Graphic Novels series

Something is rotten in the state of Denmark.

The timeless tale of the young and disaffected Danish prince who is pushed to avenge his father’s untimely murder at the hands of his brother unfolds with straightforward briskness. Shakespeare’s text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned “to be or not to be” soliloquy) and intermediary dialogues. Some of the more obscure language has been modernized, with a glossary of terms provided at the end; despite these efforts, readers wholly unfamiliar with the story might struggle with independent interpretation. Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. Illustrator Kumar (World War Two, 2015, etc.) pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing. Human figures are generally depicted in bust or three-quarter shots, making the larger panels of full figures all the more striking. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. All characters are white.

A solid introduction for budding lovers of the Bard. (biography of Shakespeare, dramatis personae, glossary) (Graphic novel. 12-18)

Pub Date: Aug. 27, 2019

ISBN: 978-93-81182-51-2

Page Count: 90

Publisher: Campfire

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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