A rich, troubling work that offers incontrovertible evidence of this great writer’s undiminished artistry, integrity, and...
On the heels of Grass’s Nobel Prize comes this graceful English version of his most recent (1995) and most controversial fiction: a potent criticism of German reunification, cast in the semi-fabulistic form employed so memorably in mega-novels like The Tin Drum and The Flounder.
The story’s set mostly in and around Berlin shortly after the “fall,” in 1989, of the Wall dividing East from West Germany. Its principal characters are two elderly men. One is former war correspondent and public East German intellectual Theo Wuttke, now employed as a superannuated office boy by the Truehand, the agency entrusted with steering the former East Germany’s enterprises and properties into the “new” country’s economic mainstream. The other is Ludwig Hoftaller, a vaguely sinister (though perfectly affable) figure whose history as a spy and informer extends (in magical-realist fashion) back to the 19th century, when Bismarck’s “unification” of warring German states bred the self-glorifying energies that would erupt in world war. The consequent linking of Germany’s past and present (a recurring theme in Grass’s fiction) is underscored by Wuttke’s fascination with classic German writer Theodor Fontane (coworkers mockingly nickname Wuttke “Fonty”), whose famous 1895 novel, Effi Briest, supplies the complacent repeated phrase—urging one to sticking to one’s business and avoid trouble—that gives Grass’s novel its deeply ironic title. Too Far Afield is reflective and intermittently discursive, perhaps as much a meditation on aging and facing death (and taking stock of how honorably one has lived) as it is a dramatization of the repetitive pomposity and folly of Germany then and now. Without some knowledge of recent German history, many readers may find much of it heavy going (though a helpful glossary does precede the text proper). Still, it’s filled with vivid and provocative symbolic incident (such as Wuttke’s efforts to “preserve” an antiquated elevator in the building that formerly housed the Nazi Air Ministry).
A rich, troubling work that offers incontrovertible evidence of this great writer’s undiminished artistry, integrity, and passion.Pub Date: Nov. 1, 2000
ISBN: 0-15-100230-4
Page Count: 672
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2000
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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