Rare is the book containing great emotional depth that truly resonates across a span of ages: this is one such.

THE ONLY CHILD

Left alone when her mother leaves for work, a child amuses herself with television, dolls, and a toy deer before boarding a bus for her grandmother’s house.

The ensuing experience, in which she falls asleep, misses her stop, and runs scared into the woods, is pulled directly from the author’s childhood in China. In this wordless, 112-page graphic novel, her constantly-in-motion protagonist is rescued by a mysterious stag that leads her up a ladder of clouds into a puffy paradise. The animal is a perfect playmate. Humorous close-ups reveal a hands-on exploration of the animal’s muzzle, toothy smiles, and affectionate nuzzling before the afternoon’s excitement. Guojing’s telling is skillfully paced. Early on, a sequence of 12 nearly square panels on a page conveys the child’s sense of confinement, loneliness, and boredom. Varying in size and shape, digitally manipulated graphite compositions create a soft, quiet atmosphere within which a gamut of effects are achieved: brilliant, snowy light, the etched faces of shivering street vendors, nuanced cloudscapes, and the pure black of a whale’s interior after the duo and a new friend are swallowed, Jonah-style. Majestic settings, tender interactions, and pure silliness lead readers to pore closely over these images, pulled along by shifting perspectives, ethereal beauty, and delight in the joy born of friendship.

Rare is the book containing great emotional depth that truly resonates across a span of ages: this is one such. (author’s note) (Picture book. 5 & up)

Pub Date: Dec. 1, 2015

ISBN: 978-0-553-49705-2

Page Count: 112

Publisher: Schwartz & Wade/Random

Review Posted Online: Aug. 26, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

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REFUGEE

In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 10, 2017

Kirkus Reviews Issue: June 1, 2017

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Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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