A novel and wide-ranging examination of the conclusion of the war once solemnly declared to be the one to end all wars.



World War I began with an assassin’s bullet in Sarajevo. How did it end? This vigorous study offers answers.

The war part of WWI has been thoroughly documented. But what of the peace part in this centennial year? Cuthbertson (English Literature/Liverpool Hope Univ.; Wilfred Owen, 2014, etc.) follows an intriguing premise, examining how people greeted the armistice of Nov. 11, 1918, and the inevitable question, “Is it peace at last?” As to the latter, there were plenty of doubts, for the end of the war really was an armistice, with a peace treaty that came only a year later. Still, writes Cuthbertson, many Europeans took it as a sign that the slaughter had come to an end. As he tours nations and battlefronts, the author turns up varied reactions: Upon learning the news, Prussian officers held as prisoners in England grumpily refused to play their morning soccer game, while the great folklorist and anthropologist James G. Frazer, observing the exultant bonfires lit in London, thought back to the bacchanalian revels of ancient Rome: “Anyone who knew his work could have seen the world of The Golden Bough come to life.” And people were still dying as the Spanish flu raged around the world, killing as many as died in battle. The question of whether the end of the war really constituted a victory for the Allies was a nagging one indeed, for no sooner did the war end than a revolution began in Germany that would eventually give birth to yet another war. Meanwhile, British and American forces were off to a different front, fighting the Bolsheviks in Russia. As Cuthbertson sagely observes, “during the Cold War, Nikita Khrushchev would remind the USA that while Russia had never invaded America, America had once invaded Russia." Naturally, the author concludes in that matter, “capitalism made the most of the Armistice as an opportunity to make money.”

A novel and wide-ranging examination of the conclusion of the war once solemnly declared to be the one to end all wars.

Pub Date: Nov. 6, 2018

ISBN: 978-0-300-23338-4

Page Count: 296

Publisher: Yale Univ.

Review Posted Online: Sept. 2, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Not an easy read but an essential one.

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Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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