An admirably thorough and keen investigative report by two Miami Herald reporters about the drag-lord demons of the Medellin (Colombia) Cartel. Gugliotta and Leen kept their bylines off the ten Miami Herald articles on which this book is based—a wise move given the many journalists slain by Colombia's cocaine kingpins during the past decade. But their names are back now, and rightfully so: the research supporting this book is amazing, more than 300 interviews in over three years of digging, and it echoes in the deep detail that vivifies this shocking, fast-moving brief on the four cartel leaders, their henchmen, and the law officials arrayed against them. The authors' story begins in 1979, with a particularly vicious Dade County shoot-out in which Colombians announced their presence in Miami's drug world. At the head of the Colombian rat-pack: Pablo Escobar, Jose Gonzalo Rodriquez Gacha, and Jorge Luis Ochoa—cartel leaders now raking in billions a year, and through muscle and money virtually rulling Colombia—and Carlos Lehder, the megalomaniacal cocaine-addicted focus of this book, who set up a global cocaine distribution network and who now, the only cartel member to be punished, languishes in a US prison for life. Woven within the tale of the ruthless ascent of these once petty criminals is the Sisyphean tale of Colombia's justice minister Lara Bonilla and Anti-Narcotics Unit head Jaime Ramirez Gomez, both sworn to stop the cartel and both ending up with bullets in the brain. Other villains abound, too, including a horde of Yankee drug lieutenants, Panama's Noriega, and the Bahama's current P.M., Lynden Pindling, cartel property. Read it and weep. In the 1980's, it seems, crime pays very well indeed; but at least there are smart, committed reporters like Gugliotta and Leen to shine bright light into the dark valley of the drug lords.

Pub Date: April 1, 1989

ISBN: 671-649574

Page Count: -

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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