An inviting dilemma-popping tale detailing the considerable time-after-time misfortunes of a Victorian family from the 1830's on—and the cheerfully impossible chances that bring resolutions— by the author of several novels published in the 1950's and 60's (including the movie-and-TV-sitcom-bound Belvedere). The Wrox-Hampdens, situated in their massive, ill-kept estate, are a grim-to-restless lot. With much pain and distaste, Maria, wife of slovenly horse-and-hounds squire Arthur, has given birth to twins. She soon sees to it that infant Edward is given to a relative to be raised by a severe, thick-skulled cleric and his horrid wife; and at the age of three, Letty will be stolen by gypsies. Meanwhile, eldest daughter Lucy, rangy and disagreeable, mellows with a chum—James, 7th Viscount Edge—and indulges in friendly sex; pregnancy, of course, is the result. This ends the friendship of Maria and Lady Edge, James's dutiful mother; sends Maria, Lucy, and pretty daughter Marietta to Rome (where one finds death); and brings into delightful proximity (all by chance) Marietta and James. Back home, the local sleuthing constable credits squire Arthur's demise to a malicious ghost—a direful event following close after Arthur's rape of sweet governess Elsie. Her rescue is achieved by the upright tutor Osbert (one of the few stout oaks amid the weak reeds here). Son Arthur takes over and deftly handles younger siblings' messes; nasty secrets are finally aired. As for the twins, are they forever gone? Of course not. Despite shameless use of coincidence, and not particularly endearing people: an entertaining and engrossing period tale in which all goes wrong and finally all goes right.
Pub Date: Sept. 21, 1993
ISBN: 1-55611-373-0
Page Count: 320
Publisher: Donald Fine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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