Dark comedy and enveloping tragedy converge in this powerfully disturbing novel.

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THE WHITE KING

A debut novel by a 34-year-old Romanian author that depicts totalitarian brutality from a child’s perspective.

When the father of 11-year-old narrator Djata leaves home, escorted by some strange men, he tells his son that he has to go to a research station and will be back in a week or so. As months pass, Djata must try to come to terms with his father’s disappearance. Is he imprisoned? Dead? Had the man he has always trusted completely lied to his son? Throughout the first half of the novel, many chapters read like self-contained episodes, even parables, with little narrative momentum. Yet the accumulation of detail allows the reader, sometimes earlier than the narrator, to discover hints as to what has transpired in this unnamed country (based on the author’s native Romania). The “crime” of Djata’s father was to sign a petition. His disappearance has deepened a rift between Djata’s mother and his grandparents, who blame her for their son’s plight. The grandfather is a recently retired Party secretary, whom even his grandson must address as “Comrade Secretary.” Does he still have the power or connections to come to his son’s aid? Or did the imprisonment of Djata’s father cost Comrade Secretary his position and influence? The novel details almost two years in the life of Djata after his father’s disappearance, years in which children turn almost as brutal toward each other (with a Lord of the Flies morality) as teachers, coaches and figures of authority are toward the children. One vignette has them playing soccer on a radioactive field; another has them playing war games that risk the fatalities of a real war. Then there’s the appearance of the mysterious Pickax, a man whose face has been disfigured beyond recognition and who has some seemingly mysterious powers. Is he Djata’s father? Does he know the fate of Djata’s father?

Dark comedy and enveloping tragedy converge in this powerfully disturbing novel.

Pub Date: April 21, 2008

ISBN: 978-0-618-94517-7

Page Count: 288

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2008

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A strange, subtle, and haunting novel.

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THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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Fierce, poetic, uncompromising.

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THE CITY WE BECAME

This extremely urban fantasy, a love/hate song to and rallying cry for the author’s home of New York, expands her story “The City, Born Great” (from How Long ’Til Black Future Month, 2018).

When a great city reaches the point when it's ready to come to life, it chooses a human avatar, who guides the city through its birthing and contends with an extradimensional Enemy who seeks to strike at this vulnerable moment. Now, it is New York City’s time to be born, but its avatar is too weakened by the battle to complete the process. So each of the individual boroughs instantiates its own avatar to continue the fight. Manhattan is a multiracial grad student new to the city with a secret violent past that he can no longer quite remember; Brooklyn is an African American rap star–turned–lawyer and city councilwoman; Queens is an Indian math whiz here on a visa; the Bronx is a tough Lenape woman who runs a nonprofit art center; and Staten Island is a frightened and insular Irish American woman who wants nothing to do with the other four. Can these boroughs successfully awaken and heal their primary avatar and repel the invading white tentacles of the Enemy? The novel is a bold calling out of the racial tensions dividing not only New York City, but the U.S. as a whole; it underscores that people of color are an integral part of the city’s tapestry even if some white people prefer to treat them as interlopers. It's no accident that the only white avatar is the racist woman representing Staten Island, nor that the Enemy appears as a Woman in White who employs the forces of racism and gentrification in her invasion; her true self is openly inspired by the tropes of the xenophobic author H.P. Lovecraft. Although the story is a fantasy, many aspects of the plot draw on contemporary incidents. In the real world, white people don’t need a nudge from an eldritch abomination to call down a violent police reaction on people of color innocently conducting their daily lives, and just as in the book, third parties are fraudulently transferring property deeds from African American homeowners in Brooklyn, and gentrification forces out the people who made the neighborhood attractive in the first place. In the face of these behaviors, whataboutism, #BothSides, and #NotAllWhitePeople are feeble arguments.

Fierce, poetic, uncompromising.

Pub Date: March 24, 2020

ISBN: 978-0-316-50984-8

Page Count: 448

Publisher: Orbit

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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