by H. Joseph Hopkins ; illustrated by Jill McElmurry ‧ RELEASE DATE: Sept. 17, 2013
Hopkins respectfully profiles Kate Sessions, a pioneering horticulturalist who helped transform San Diego’s City Park from a barren waste into today’s lush, tree-filled Balboa Park.
Hopkins traces the effects of Kate’s childhood affinity for science and fascination with trees. Roaming the Northern California woods as a child and becoming the first woman to earn a science degree from the University of California in 1881, Kate turned her passion into work that transformed a community. After a brief teaching stint in San Diego, she became a gardener and worked out a nifty deal with the city: In exchange for leasing acreage for a plant nursery within City Park, she promised to plant 100 trees a year in the park and deliver additional hundreds for planting citywide. Sessions sourced seeds from species grown globally and coordinated tree-planting parties to beautify Balboa Park in time for the city’s 1915 Panama-California Exposition. Hopkins’ text presents Sessions’ achievements in simple language embodying Kate’s can-do spirit. “Most San Diegans didn’t think trees could ever grow there. But Kate did.” McElmurry’s gouache illustrations adopt a stylized, reductive approach. Foliage is rendered as green globes decorated with leaf forms; the bark of palms sports simple crosshatching. The artist nicely conveys Kate’s life arc, from child among sequoias to elder on a tree-lined park path.
An appealing treatment of an accomplished woman’s life. (author’s note) (Picture book/biography. 5-9)Pub Date: Sept. 17, 2013
ISBN: 978-1-4424-1402-0
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: June 26, 2013
Kirkus Reviews Issue: July 15, 2013
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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by Tomie dePaola ‧ RELEASE DATE: April 1, 1999
The legions of fans who over the years have enjoyed dePaola’s autobiographical picture books will welcome this longer gathering of reminiscences. Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938. Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (“ ‘ When do we learn to read?’ I asked. ‘Oh, we don’t learn how to read in kindergarten. We learn to read next year, in first grade.’ ‘Fine,’ I said. ‘I’ll be back next year.’ And I walked right out of school.”), recalls holidays, and explains his indignation when the plot of Disney’s “Snow White” doesn’t match the story he knows. Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well. (Autobiography. 7-9)
Pub Date: April 1, 1999
ISBN: 0-399-23246-X
Page Count: 58
Publisher: Putnam
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 15, 1999
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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by Lisbeth Kaiser ; illustrated by Leire Salaberria translated by Raquel Pitt ‧ RELEASE DATE: July 1, 2016
“There’s nothing I can’t be,” young Maya thinks, and then shows, in this profile for newly independent readers, imported from Spain.
The inspirational message is conveyed through a fine skein of biographical details. It begins with her birth in St. Louis and the prejudice she experienced growing up in a small Arkansas town and closes with her reading of a poem “about her favorite thing: hope” at Bill Clinton’s presidential inauguration. In between, it mentions the (unspecified) “attack” by her mother’s boyfriend and subsequent elective muteness she experienced as a child, as well as some of the varied pursuits that preceded her eventual decision to become a writer. Kaiser goes on in a closing spread to recap Angelou’s life and career, with dates, beneath a quartet of portrait photos. Salaberria’s simple illustrations, filled with brown-skinned figures, are more idealized than photorealistic, but, though only in the cover image do they make direct contact with readers’, Angelou’s huge eyes are an effective focal point in each scene. The message is similar in the co-published Amelia Earhart, written by Ma Isabel Sánchez Vegara (and also translated by Pitt), but the pictures are more fanciful as illustrator Mariadiamantes endows the aviator with a mane of incandescent orange hair and sends her flying westward (in contradiction of the text and history) on her final around-the-world flight.
Stirring encouragement for all “little people” with “big dreams.” (Picture book/biography. 5-7)Pub Date: July 1, 2016
ISBN: 978-1-84780-889-9
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 14, 2016
Kirkus Reviews Issue: June 1, 2016
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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