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COMMISSIONER ROOSEVELT

THE STORY OF THEODORE ROOSEVELT AND THE NEW YORK CITY POLICE, 1895-1897

A fast-paced but toothless report on the crime-busting years of America's toothiest politician: scads of atmosphere and action, no critical bite. Jeffers, who has written histories of Scotland Yard (Bloody Business, 1992) and the FBI, turns here to the fin-de-siäcle New York City Police Department, an organization rotten with corruption. Tammany Hall bosses pull the strings; promotion is based on patronage rather than merit; many on the 3,600-man force supplement their wages with blackmail, intimidation, and hush money. Into this mess strides the Rough Rider himself, Teddy Roosevelt—naturalist, sportsman, writer, Harvard grad—appointed president of the police commission in 1895. A self-described surgeon out to excise a festering gangrene, Roosevelt applies the scalpel mercilessly. He introduces merit promotions, bike patrols, and pistol training, hires the department's first woman employee, updates the telephone system, and enforces the laws with righteous vigor. Jeffers makes much of Roosevelt's famous smile, stocky build, courage, and gusto; one looks in vain for a wart in this worshipful portrait. There is a second hero to share the limelight: Jacob Riis, born in poverty—here playing a predictable pauper to Roosevelt's prince—whose newspaper exposÇs of social ills alert Roosevelt to the problems of the city's sordid underside. The clichÇd characters aren't enhanced by Jeffers's melodramatic prose, which features such tired phrases as ``mysterious characters'' and ``eagle-eyed sleuths.'' Spirited accounts of police busts, steamy bordellos, and the like juice the action but never overcome the sense that this is a bully boy's adventure story enacted by grown- ups. (For a more scholarly tour of the 19th-century New York demimonde, see Eric Homberger's Scenes from the Life of a City, p. 904). Jeffers inverts Teddy's most famous saying with a book that walks loudly (lots of swaggering by the protagonist and others) and carries a small stick (nary a whack of dissent).

Pub Date: Sept. 2, 1994

ISBN: 0-471-02407-4

Page Count: 320

Publisher: Wiley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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