Refashioning his life after an accident—with grace, dignity, and black humor.
After the fall.
In 2022, Kureishi, then 68, collapsed at his partner’s apartment in Italy, partially breaking his neck and suffering spinal nerve damage and resulting tetraplegia, a near-complete paralysis of his hands, arms, and legs. Dictating verbal diary entries to his partner, Isabella, from his hospital bed in Italy, then in West London, the celebrated British Pakistani playwright (My Beautiful Laundrette, The Buddha of Suburbia) details his struggle to heal and thrive despite immense pain, frustration, and a missing sense of time, as well as the toll this crushing ordeal would have on his relationship with Isabella: “We will have to find a new way of loving each other,” he admits. Enhancing these provocative entries are the author’s ruminations and pointed perspectives on his life, career, family, childhood, sex, Isabella (whom he proposes to while incapacitated), and his friendship with Salman Rushdie, “one of the bravest men I know.” He also considers the fascist nature of Italian government and how it affects the precarious lives of young queer and nonbinary individuals. Psychologically processing his life-altering condition is one thing, but Kureishi must also contend with his arduous, agonizing, and helpless physical condition and the ensuing rehabilitation suddenly thrust upon him. Yet despite feeling “battered and broken,” the ever-resilient author manages to inject levity and revelatory catharsis into his daunting “new reality.” He contemplates how becoming paralyzed affords him the opportunity to meet and empathize with new people, and he ponders the possibilities of somehow achieving some type of modified sexual pleasure again. The memoir is also cautionary for readers who mistakenly believe they are blessed with hardship immunity: “There isn’t a family on the planet that will evade catastrophe or disaster.” Kureishi harrowingly reminds us that it takes just one fall to upend an entire lifetime, forever.
Refashioning his life after an accident—with grace, dignity, and black humor.Pub Date: Feb. 4, 2025
ISBN: 9780063360501
Page Count: 336
Publisher: Ecco/HarperCollins
Review Posted Online: Nov. 21, 2024
Kirkus Reviews Issue: Jan. 1, 2025
PERSPECTIVES
PERSPECTIVES
PERSPECTIVES
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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