by Hannah Moskowitz ‧ RELEASE DATE: Nov. 5, 2019
A highly recommended work that’s thoughtful, funny, wise, and tender.
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Two chronically ill teens navigate the joys and pitfalls of a relationship in this YA contemporary romance.
Of all the places where 16-year-old Isabel Garfinkel could meet a cute boy, the Ambulatory Medical Unit at Linefield and West Memorial Hospital in the Queens borough of New York City, wouldn’t seem the most likely. It’s her second time in the “drip room,” as it’s called, where she gets monthly infusions to treat the rheumatoid arthritis that she’s had for 11 years. This time, though, she can’t help staring at a new patient there—a boy her age named Sasha Sverdlov-Deckler. She likes his quirky, appealing looks and wry sense of humor, and they bond over the fact that they’re both Jewish. Sasha has a rare genetic disorder called Gaucher disease, which isn’t fatal, in his case, but causes severe anemia, weak bones, and other problems. Although Isabel has several close and well-meaning friends, she doesn’t have anyone who really understands what it’s like “to deal with the everyday slog of being sick.” She and Sasha hit it off, but she’s emotionally guarded and dislikes risks, and as a result, she doesn’t date. Sasha is patient and sweet, and their romance grows; amid a few arguments and setbacks, they forge a bond that gets them through their problems. As the advice columnist for her high school paper, Isabel asks questions and gathers others’ responses; by the end of the novel, she’s comfortable with not having all the answers. Moskowitz (Salt, 2018, etc.) does a splendid job of showing what the world looks like to the chronically but invisibly ill. For example, Isabel is often tired and aching, and she fears the judgment of others; she notes that even her physician father would question her getting a cab to go 15 blocks, a walkable distance for many, including people who are old or pregnant and “people with arthritis who are just better than me.” Overall, the excellent character development lends depth and sweetness to the romance. Isabel’s relationship with Sasha helps her fight self-doubt and stand up for herself with laudable vigor, yet the novel never feels didactic.A highly recommended work that’s thoughtful, funny, wise, and tender.
Pub Date: Nov. 5, 2019
Page Count: 300
Publisher: Entangled Teen
Review Posted Online: July 22, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Review Program: Kirkus Indie
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by Walter Dean Myers ‧ RELEASE DATE: May 31, 1999
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)
Pub Date: May 31, 1999
Page Count: 280
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
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by Stephen Chbosky ‧ RELEASE DATE: Feb. 4, 1999
Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.
Pub Date: Feb. 4, 1999
Page Count: 256
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
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