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HEY, DIDDLE, DIDDLE

An adequate introduction to whet babies' palates for more substantial nursery fare.

More than 15 traditional rhymes make up this gentle collection for the youngest listeners.

Despite the venerable nature of the rhymes, there's plenty of modern appeal. Old Mother Hubbard drives her convertible to the market; a young mother pushes her child (Peter Piper) in the grocery store's cart in search of pickled peppers. Tradition takes a backseat to a nursery aesthetic. With her brood of children, the little old lady remains all smiles in her cozy shoe. “She gave them some broth / with plenty of bread. / Then kissed them all sweetly / and tucked them in bed.” Endpapers feature the titular rhyme's spoon and plate holding hands as they race off the page. Sometimes animals play the lead. A mouse couple (Jack Sprat and his wife) devour their meal, and a canine Yankee Doodle rides his pony. Though there is a nod to diversity, by and large, the humans are white. Animals and people share the spreads; pastel shades keep the edges soft.

An adequate introduction to whet babies' palates for more substantial nursery fare. (Board book. 0-3)

Pub Date: March 1, 2012

ISBN: 978-1-58925-870-9

Page Count: 20

Publisher: Tiger Tales

Review Posted Online: June 12, 2012

Kirkus Reviews Issue: July 1, 2012

Categories:
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ON THE HORIZON

A beautiful, powerful reflection on a tragic history.

In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima. 

When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.

A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)

Pub Date: April 7, 2020

ISBN: 978-0-358-12940-0

Page Count: 80

Publisher: HMH Books

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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WOMBAT WAITING

Affecting and hopeful.

A stray dog finds her destiny amid the chaos of a Southern California wildfire.

Wombat is a small dog with stubby legs and “silly ears / that look like furry cookies”—almost impossibly cute in Bricking’s occasional pencil-style vignettes. She’s mastered the art of survival, so when a mysterious internal voice prods her to go toward the fire, she resists. “The wrong way is the right way. / The right way is the wrong way,” the voice insists. When she tells fellow stray Silas about it, he tells Wombat she’s a “destiny dog,” bound to “find their person / before their person / can find them.” Convinced, she decides to follow the mysterious instructions. Meanwhile, Henry, a boy who’s leery of dogs, loves the bats at the wildlife rehabilitation center where Mama Ro, a veterinarian, works; his Mama J is a librarian. Henry and Barnabas, a fruit bat at the center, are both uprooted by the fire, and their paths converge with Wombat’s at an emergency shelter. The third-person perspective shifts from character to character in clusters of free-verse poems that fully immerse readers in each one’s experiences in turn. This extra-concentrated delivery of Applegate’s typically spare writing proves effective, balancing terror and sadness with heart and humor. Henry has light brown skin, Mama Ro has curly black hair and brown skin, and Mama J presents white.

Affecting and hopeful. (Verse fiction. 8-12)

Pub Date: May 5, 2026

ISBN: 9780063221178

Page Count: 304

Publisher: Storytide/HarperCollins

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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