Spectacularly and convincingly inventive, assured and wholly spellbinding: one of the most impressive debuts in years.
A sort of paranoid-conspiracy, hard sci-fi whodunit: the Scotland resident, Finnish author's jaw-dropping debut.
Notorious thief Jean le Flambeur serves an indeterminate sentence in the surreal Dilemma Prison governed by artificial intelligences, or Archons, at the behest of Earth's ruling "upload collective" called the Sobornost. The Archons' notion of rehabilitation is to compel the prisoners, incarcerated in infinitely repeating transparent cells, to play murderous mind games with infinite copies of themselves. Soon enough, though, along comes spacer Mieli in her alluring sentient spaceship to rescue le Flambeur—providing that he's willing to work for her. The thief has little choice, it's either accept or stay and be shot through the head over and over. And so they're off to Mars, where the multi-legged city of Oubliette wanders the landscape, terraforming as it goes. Here, time itself is currency; memory, and hence reality, is held collectively, privacy is a fetish preserved by unbreakable encryption and enforced by powerful "tzaddiks," but everybody's strings are being pulled—even the string-pullers'—by hidden higher authorities. Mieli's employer, known only as the pellegrini, wants le Flambeur to perform a particular if unmentioned service, while the thief has his own ulterior motives for cooperating: years ago he hid large chunks of his memories here, and now he needs to recover them to attain his own vengeful goals. Meanwhile, brilliant young detective Isidore Beautrelet, having just solved the murder of a prominent chocolatier, accepts another assignment—involving an arch villain named…le Flambeur. All this barely hints at the complex inventions and extrapolations, richly textured backdrop and well-developed characters seamlessly woven into a narrative stuffed with scientific, literary and cultural references.
Spectacularly and convincingly inventive, assured and wholly spellbinding: one of the most impressive debuts in years.Pub Date: May 1, 2011
ISBN: 978-0-7653-2949-3
Page Count: 336
Publisher: Tor
Review Posted Online: March 2, 2011
Kirkus Reviews Issue: March 1, 2011
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.
After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.
No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.Pub Date: Feb. 26, 2019
ISBN: 978-1-63557-029-8
Page Count: 848
Publisher: Bloomsbury
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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